与此同时，在Thomas Lawrence的生活中
完整生平1789
First royal commission
At just twenty he is summoned to Windsor Castle to paint portraits of Queen Charlotte and Princess Amelia. The Queen finds him presumptuous and dislikes the finished portrait, which will remain in his studio until his death.
1789
Thirteen portraits at the Academy exhibition
He exhibits thirteen portraits, mostly in oil, among them William Linley and Lady Cremorne (his first attempt at a full-length portrait). The press is warm, and one critic sees in him a future Reynolds, and not a distant one.
1790
Queen Charlotte and Elizabeth Farren on show
The Academy exhibition shows his portrait of Queen Charlotte, which, despite the sitter’s displeasure, wins critical acclaim. Also exhibited is the portrait of the actress Elizabeth Farren, soon to be Countess of Derby: it makes Lawrence still more famous, and a newspaper notes that in it the actress is entirely herself — arch, spirited, elegant and engaging.
1790
A failed bid for the Academy
Although election was possible from the age of 24, his candidacy for associate membership of the Royal Academy is put to the vote but fails: three votes to six, and the place goes to Wheatley.
1791
Elected an associate of the Royal Academy
Elected an associate of the Royal Academy of Arts, a year after the failed attempt of 1790.
1792
Post: court painter
