Jane Jarvis, Paul Delaroche, 1830–31
Paul Delaroche肖像Paul Delaroche法国, 1797–1856

Jane Jarvis

1830–31 · Drawing

能看到吗?

目前未展出

《Jane Jarvis》现在在哪里? 收藏方: 克利夫蘭藝術博物館, 克利夫兰. 目前未展出. 核实 2026年9月29日.

克利夫蘭藝術博物館

克利夫兰, 美國

仍属馆藏,只是目前没有展出。

核实
此状态始于
出处
博物馆

关于作品

This portrait of an English woman named Jane Jarvis probably shows her not too long after the death of her father. Her jet black jewels are French, but her low-neck dress, which represents the last stage of the mourning period, could be French or English. With his pastels, Delaroche created a dashingly decorative image that highlights and complements the elaborate dress depicted. The large Renaissance-style hat seems to float against the creamy blues and beiges of the background. Below, the chalky pastel describes the particular appearance of the arms seen through the gauzy material of the sleeves, and energetic stray lines around the body add an ornamental flourish of technical virtuosity.

克利夫蘭藝術博物館

作品信息

馆藏编号
2008.348

已收入目录

出处

Paul Delaroche当时的生活

完整生平
  1. 1828

    Exhibits “Death of Queen Elizabeth”

    The first of his English history paintings; at the time he was studying the recent English tradition of history painting and working its methods into his own art. His focus on English history won him popularity in Britain in the 1830s and 1840s.

  2. 1832

    Elected to the Académie des Beaux-Arts

    Already known as a history painter, he is elected to the Académie des Beaux-Arts of the Institut de France in the painting section, taking seat no. 13.

  3. 1833

    Becomes a professor at the École des Beaux-Arts

    A year after his election to the Académie, he takes up a professorship at the school where he himself once studied. His pupils include Jean-Léon Gérôme, Jean-François Millet and Thomas Couture.

  4. 1833

    Commissioned to paint a mural in the Madeleine

    He is commissioned to paint a large mural for the central nave of the church of the Madeleine in Paris. Aware of his lack of experience in religious painting, he spends a year in Italy studying the religious art of the past; on his return he is told he is to work with Jules-Claude Ziegler and abandons the project altogether, thinking Ziegler would spoil the image he already had in mind.

全部作品

同馆在展:克利夫蘭藝術博物館

博物馆页面