Икона. Богоматерь

1878–1880

Mamontov’s commission for the Donetsk Railway

Repin brought him to the house of Savva Mamontov, who commissioned three fairy-tale pictures for the boardroom of the Donetsk Railway — “The Battle of the Russians with the Scythians”, “The Flying Carpet” and “The Three Princesses of the Underground Kingdom” (the princesses of gold, precious stones and coal); the princess Coal, a modest dark-haired girl in a black dress, was especially successful.

1878–1890 · 事业

the Peredvizhniki

From 1878 he belonged to the Society of Travelling Art Exhibitions (the Peredvizhniki): he took part in its activity in 1878–1890 and exhibited with it until 1897; he was admitted for the realism and sharp social subjects of his genre paintings.

1880

His first visit to Mamontov’s Abramtsevo

In June 1880, with his brother Apollinary, he first came to Abramtsevo at Savva Mamontov’s invitation and joined the circle of Repin, Polenov, Serov and other artists, where he became one of the leaders of the national-romantic current.

1884

His son Mikhail becomes the model for the Christ Child in the altar image

In 1884 his son Mikhail was born; he became the model for the infant in the Virgin’s arms in the altar image of St Vladimir’s Cathedral, and later was an astronomer and then a priest of the Russian emigration in Prague.

1884–1889

Friendship with Mikhail Vrubel in Kiev

While living in Kiev he became friends with Mikhail Vrubel, who was also working on the cathedral; while they worked together Vasnetsov taught the younger artist a great deal.