Hora de misa, Joaquín Sorolla Bastida, 1912
Joaquín Sorolla肖像Joaquín Sorolla西班牙, 1863–1923

Hora de misa

1912 · Drawing

可否一睹真容?

未知

索罗亚博物馆

马德里, 西班牙

所有者已知,目前是否展出尚不清楚。

此状态始于
出处
博物馆

关于作品

博物馆的介绍 — 西班牙语

Anverso: Hora de misa. En primer término, apunte de figura masculina avanzando hacia el frente, vistiendo capa y sombrero de ala ancha. Detrás, dos figuras femeninas tocadas con mantilla. Reverso: Perfil. Apunte de cabeza de perfil a la izquierda, ligeramente inclinada hacia abajo. Parece que se cubre con un pañuelo fino, que marca la oreja, y en la parte superior lleva algún tipo de adorno (?).

索罗亚博物馆

作品信息

画面内容

已收入目录

出处

与此同时,在Joaquín Sorolla的生活中

完整生平
  1. 1911

    Contract with Huntington for a series on Spain

    In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.

  2. early 1911

    Second US visit: St. Louis and Chicago

    Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.

  3. 1911–1919

    Through the provinces of Spain to paint from life

    Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.

全部作品

来自索罗亚博物馆的收藏

博物馆页面

同一主题 · Práctica religiosa

该主题的全部作品