Het martelaarschap van Andreas

1632 - 1634 · Print

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阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

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出处: 博物馆

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关于作品

博物馆的介绍 — 荷兰语

Andreas wordt gekruisigd op een X-vormig kruis in het bijzijn van vele toeschouwers. Boven deze scène is Andreas nogmaals afgebeeld, op een wolk in de hemel, een gekanteld kruis in de handen. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 voorstellingen van de martelingen die de apostelen hebben ondergaan.

阿姆斯特丹国家博物馆

作品信息

馆藏编号: RP-P-OB-4789

画面内容

Crucifixion of Andrew: he is undressed and tied to the cross The apostle Andrew Possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll - martyrdom, suffering, misfortune, death of male saint

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版画巴洛克 17 世纪

出处

阿姆斯特丹国家博物馆
图片：阿姆斯特丹国家博物馆 — public domain

与此同时，在Jacques Callot的生活中

完整生平

1621–1635 · 工作地
Nancy
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
1629–1630
Lives and works in Paris
From 1629 Callot lives and works in Paris, where his clients include publishers, mostly Parisian; overall he is commissioned by the courts of Lorraine, France and Spain.
c. 1630
Meets Abraham Bosse
The meeting of the Parisian Abraham Bosse with Callot around 1630 makes Bosse his follower: he will later spread the master’s technical innovations across Europe in the first published manual of etching, translated into several languages.
1633
The French invasion of Lorraine
In the year the large series of the “Miseries of War” is published, Lorraine is invaded by the French during the Thirty Years’ War; Callot’s etchings of pillaging, executions and the lot of crippled beggars are counted among the most powerful artistic statements of the inhumanity of war and will later inspire Goya.
1635年3月25日
Died