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  1. 藏品/
  2. 国家美术馆/
  3. Herbert J. Seligmann
Herbert J. Seligmann, Alfred Stieglitz, 1921
Alfred Stieglitz肖像Alfred Stieglitz美国, 1864–1946

Herbert J. Seligmann

1921 · Photograph

可否一睹真容?

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏,只是目前没有展出。

核实
3天前
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

作品信息

1921 · 57岁
18641946
馆藏编号
1949.3.465

与此同时,在Alfred Stieglitz的生活中

完整生平
  1. early 1921

    Exhibition at the Anderson Galleries: 146 prints

    At the invitation of Mitchell Kennerley, in early 1921 Stieglitz hung his first one-man exhibition since 1913: of the 146 prints only 17 had been seen before, and 46 were of O'Keeffe, many of them nudes, with the model unidentified. In the catalogue he made his famous declaration: “I was born in Hoboken. I am an American. Photography is my passion. The search for Truth my obsession.”

  2. 1922

    A John Marin show and an auction of American art

    In 1922 Stieglitz organised a large show of John Marin's paintings and etchings at the Anderson Galleries, followed by a huge auction of nearly two hundred paintings by more than forty American artists, including O'Keeffe.

  3. November 1922

    Death of his mother, Hedwig

    Stieglitz's mother Hedwig (1845–1922) died in November 1922. As with his father, he buried his grief in his work: he spent time with Paul Strand and his wife, the painter Rebecca Salsbury, reviewed the work of the newcomer Edward Weston and began organising a new show of O'Keeffe's work.

  4. early 1923

    O'Keeffe's show: twenty paintings sold

    O'Keeffe's show opened in early 1923, and Stieglitz spent much of the spring marketing her work; eventually twenty of her paintings sold for more than $3,000.

  5. summer 1923

    Affair with Rebecca Salsbury

    In the summer of 1923, while O'Keeffe was away in the Southwest, Stieglitz stayed at Lake George with Rebecca Salsbury, Paul Strand's wife, took a series of nude photographs of her, and they had a brief affair. When O'Keeffe returned in the autumn she could tell what had happened but did not see her as a serious threat.

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画面内容

PhotographerCriticWriter肖像男人Seligmann, Herbert

已收入目录

摄影铂金印相现代主义20 世纪American

出处

  • 国家美术馆
  • 图片: 国家美术馆 — © the artist or rights holder
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · 現代藝術博物館

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · 現代藝術博物館

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · 現代藝術博物館

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · 芝加哥藝術博物館

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · 未展出 · 国家美术馆

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · 未展出 · 国家美术馆

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · 未展出 · 国家美术馆

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · 未展出 · 国家美术馆

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

吉內薇拉·班琪, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

普羅旺斯的農舍, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Billy Boy and Christopher Makos, Andy Warhol, 1980-1985

Andy Warhol

Billy Boy and Christopher Makos, 1980-1985

未展出 · 国家美术馆

Francesco Scavullo and Unidentified Woman, Andy Warhol, n.d.

Andy Warhol

Francesco Scavullo and Unidentified Woman, n.d.

未展出 · 国家美术馆

Francesco Scavullo and Unidentified Woman, Andy Warhol, n.d.

Andy Warhol

Francesco Scavullo and Unidentified Woman, n.d.

未展出 · 国家美术馆

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992

Allen Ginsberg

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, 1984, printed 1992

未展出 · 国家美术馆

Robert Frank and Allen Ginsberg at Frank's Apartment, Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank and Allen Ginsberg at Frank's Apartment, 1984

未展出 · 国家美术馆

Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984., 1984

未展出 · 国家美术馆

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., Allen Ginsberg, 1988, printed 1990

Allen Ginsberg

Robert Frank at his kitchen table, Bleeker Street house, casual visit, November 8, 1988, New York City., 1988, printed 1990

未展出 · 国家美术馆

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

未展出 · 国家美术馆