Harvesting Grain, Gordon Parks, 1944
Gordon Parks肖像Gordon Parks美国, 1912–2006

Harvesting Grain

1944 · Photograph

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《Harvesting Grain》现在在哪里? 收藏方: 国家美术馆, 華盛頓哥倫比亞特區. 目前未展出. 核实 2026年9月29日.

国家美术馆

華盛頓哥倫比亞特區, 美國

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作品信息

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2025.100.31

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出处

  • 国家美术馆
  • 图片: 国家美术馆 — © the artist or rights holder

Gordon Parks当时的生活

完整生平
  1. 1942

    Receives the Rosenwald Fellowship

    The Julius Rosenwald Fellowship, $200 a month with the choice of employer, rewards his work in Chicago, especially his capturing of the myriad experiences of African Americans across the city. It contributes to his being asked to join the FSA, which under Roy Stryker was chronicling the nation’s social conditions.

  2. c. 1942

    Stryker calls the picture an indictment of America

    Seeing the photograph, Stryker says it is an indictment of America that could get all of his photographers fired, and urges Parks to keep working with Watson, which leads to a series of pictures of her daily life. Parks later says his first image was overdone and not subtle.

  3. 1944年3月4日

    Son born: David Parks

  4. from the mid-1940s

    Becomes a fashion photographer for Vogue

    After leaving the Office of War Information he moves to Harlem and works as a freelance fashion photographer for Vogue; editor Alexander Liberman, despite the racist attitudes of the day, hires him to shoot a collection of evening gowns. He develops a distinctive style of photographing his models in motion rather than in static poses, and his fashion work appears in Vogue from the mid-1940s to the late 1970s.

  5. mid-1940s

    Works on the Standard Oil project in New Jersey

    After leaving the Office of War Information — where he photographed the all-black 332d Fighter Group, the Tuskegee Airmen, and resigned when he could not follow them to the overseas war theatre — he follows Stryker to the Standard Oil Photography Project in New Jersey, whose photographers shoot small towns and industrial centers. His most striking pictures of these years include “Dinner Time at Mr. Hercules Brown’s Home, Somerville, Maine” (1944), “Car Loaded with Furniture on Highway” (1945), “Self Portrait” (1945) and “Ferry Commuters, Staten Island, N.Y.” (1946).

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