Anthony van Dyck佛兰德, 1599–1641Gefangennahme Simsons
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《Gefangennahme Simsons》现在在哪里？ 艺术史博物馆, Gemäldegalerie, Kabinett 23, 維也納. 是，正在展出. 核实 2026年10月9日.
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作品信息
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在展 · Gemäldegalerie, Kabinett 23
艺术史博物馆 · 2026年10月9日 — 现在 · 已核实
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艺术史博物馆 · 2026年9月27日 — 2026年10月9日 · 未经证实
出处
- 艺术史博物馆
- 图片： 艺术史博物馆 — CC BY-NC-SA 4.0
Anthony van Dyck当时的生活
完整生平1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1627
Return to Antwerp
In 1627 Van Dyck returned from Italy to Antwerp, where he remained for five years, creating portraits of the Flemish nobility and large altarpieces, and beginning to work in printmaking.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
1632 · 工作地
London
1632
Post: court painter
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
