Galathea, Francesco Albani, 17th century
Francesco Albani肖像Francesco Albani意大利, 1578–1660

Galathea

17th century · Painting

可否一睹真容?

未知

瑞典國立博物館

斯德哥尔摩, 瑞典

所有者已知,目前是否展出尚不清楚。

此状态始于
出处
博物馆

作品信息

已收入目录

出处

与此同时,在Francesco Albani的生活中

完整生平
  1. 1590s

    The Carracci Academy and four years under Ludovico

    Following Reni, Albani soon moves to the so-called “Academy” run by Annibale, Agostino and Ludovico Carracci — a studio that fostered Domenichino, Lanfranco and many other painters of the Bolognese school. He studies for four years under Ludovico Carracci, through whom he secures his first public commissions.

  2. 1600

    Moves to Rome: the gallery of the Palazzo Farnese

    In 1600 Albani moves to Rome to work on the fresco decoration of the gallery of the Palazzo Farnese, which is being completed by Annibale Carracci's studio. Under Clement VIII Aldobrandini Rome enjoys administrative stability and renewed artistic patronage, and Cardinal Odoardo Farnese's support for the Bolognese Carracci establishes Bolognese dominance of Roman fresco painting for nearly two decades.

  3. 1609

    Death of Annibale Carracci; the Aldobrandini lunettes

    After Annibale Carracci's death in 1609 Albani supervises the completion of the Aldobrandini lunettes (Galleria Doria Pamphilj), left unfinished; work on them went on around 1604–5 and in 1610–13. In the “Landscape with the Assumption” he shows how fully he has absorbed his mentor's landscape style: small figures move against a grand landscape.

  4. 1618

    Returns to Bologna after his wife's death; second marriage

    After the death of his first wife, Anna Rusconi of Rome, Albani returns to Bologna, where he marries a second time, Doralice Fioravanti; Bologna remains his home for the rest of his life.

  5. after 1625

    Back in Bologna: a large studio

    After working in Rome from 1623 to 1625, Albani returns to Bologna and runs a large studio that rivals Reni's for the most important public commissions. His main work becomes large-scale altarpieces for Bolognese and provincial churches and easel pictures for an international clientele.

  6. 1660年10月4日

    Died

全部作品

来自瑞典國立博物館的收藏

博物馆页面