From Line

1974 · Painting

可否一睹真容？

眼下不见客

現代藝術博物館

纽约, 美國

仍属馆藏，只是目前没有展出。

核实: 13天前
出处: 博物馆自己的馆藏数据

在地图上看博物馆页面

作品信息

馆藏编号: 392.2010

出处

現代藝術博物館: the museum's own open data · 13天前获取
图片：現代藝術博物館 — © the artist or rights holder

全部作品

Work No. 4B

1973 · 未展出 · 現代藝術博物館

Work No. 3

1973 · 未展出 · 現代藝術博物館

Work No. 2

1973 · 未展出 · 現代藝術博物館

Dialogue

2011 · 未展出 · 国家美术馆

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

1989-99 · 未展出 · 芝加哥藝術博物館

同馆近邻：現代藝術博物館

博物馆页面

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

From Line

眼下不见客

作品信息

出处

Work No. 4B

Work No. 3

Work No. 2

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

同馆近邻：現代藝術博物館

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

From Line

眼下不见客

作品信息

出处

Work No. 4B

Work No. 3

Work No. 2

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

同馆近邻：現代藝術博物館

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

From Line

眼下不见客

作品信息

出处

Lee Ufan的更多作品

Work No. 4B

Work No. 3

Work No. 2

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

同馆近邻：現代藝術博物館

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

From Line

眼下不见客

作品信息

出处

Lee Ufan的更多作品

Work No. 4B

Work No. 3

Work No. 2

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

同馆近邻：現代藝術博物館

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950