Figure group, Derby Porcelain factory, ca. 1767
Derby Porcelain Factory1770

Figure group

ca. 1767 · Figure group

能看到吗?

是,正在展出

《Figure group》现在在哪里? 维多利亚和阿尔伯特博物馆, Ceramics, Room 139, The Curtain Foundation Gallery, 倫敦. 是,正在展出. 核实 2026年10月12日.

维多利亚和阿尔伯特博物馆

倫敦, 英国

展厅Ceramics, Room 139, The Curtain Foundation Gallery

闭馆· 10:00 开馆

正对公众展出。

核实
此状态始于
出处
博物馆
嵌入

关于这件雕塑

This figure is of Lord Chatham (1708-78) who was raised to the Peerage and became Lord Keeper in 1766, as described on the inscription below. In the same year he declared himself in favour of a conciliatory policy towards the American colonies. America is represented here as a black woman who kneels, in gratitude, at Chatham’s feet.

The convention for depicting the Four Continents as female figures was used as early as the Counter-Reformation to symbolise the worldwide spread of Catholic Christendom. The figures were given wider appeal through their inclusion in the Iconologia of Cesare Ripa, an illustrated book of emblems widely used by artists from the early 17th century.

继续阅读

Within the convention, ‘America’ was depicted as an olive-skinned indigenous woman wearing ‘a Veil folded over her Shoulder; round her Body, an artificial Ornament of Feathers of divers Colours; in one Hand a Bow, and a Quiver by her Side; under one Foot a human Head pierc’d with an Arrow, and a Lizard on the Ground.’ Here, however, she appears as an African woman. This may be in allusion to the spread of slavery within the region, or may reflect indiference to, or conflation of, racial differences (at the Meissen porcelain factory, for example, America was often represented by a black-skinned man or woman wearing a feathered headdress).

维多利亚和阿尔伯特博物馆

作品信息

馆藏编号
414:202-1885

画面内容

已收入目录

出处

全部作品

同一展厅 · Ceramics, Room 139, The Curtain Foundation Gallery, 维多利亚和阿尔伯特博物馆

博物馆页面

同一主题 · Slavery

该主题的全部作品