Gustave Moreau法国, 1826–1898Fée aux griffons
可否一睹真容？
未知
巴黎, 法國
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
作品信息
- 馆藏编号
- Cat. 537
已收入目录
出处
- 古斯塔夫·莫羅美術館
- 图片： 古斯塔夫·莫羅美術館 — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
与此同时，在Gustave Moreau的生活中
完整生平1859–1888 · 工作地
Paris
1870–1875
Years without exhibiting: renewing his art
Disturbed by criticism that his work had become formulaic, Moreau stopped exhibiting for a few years and concentrated on renewing his art.
1875年9月18日 · 获奖
Knight of the Legion of Honour
1876
Return to the Salon: “Salome”
After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.
1878
“Phaeton” at the World’s Fair stuns Redon
At the 1878 World’s Fair Moreau’s watercolour “Phaeton” so struck Odilon Redon that he wrote of its power to renew old art. Redon, like many critics of the time, saw Moreau’s chief merit in giving traditional painting a new direction, building a bridge between past and future.
