Gustave Moreau法国, 1826–1898Étude de bras
可否一睹真容?
未知
巴黎, 法國
所有者已知,目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
作品信息
- 馆藏编号
- Des. 5789
画面内容
已收入目录
出处
- 古斯塔夫·莫羅美術館
- 图片: 古斯塔夫·莫羅美術館 — © R.G. Ojeda ; Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
与此同时,在Gustave Moreau的生活中
完整生平1846–1849 · 求学
Beaux-Arts de Paris
1852
Salon debut: the state buys his “Pietà”
In 1852 Moreau took part in the Paris Salon for the first time, presenting a Pietà that the state bought for 600 francs. From the 1850s he exhibited with some regularity and, with his father’s help, secured commissions from the city.
1864
A Salon medal for “Oedipus and the Sphinx”
“Oedipus and the Sphinx”, one of Moreau’s first Symbolist paintings, won a medal at the Paris Salon of 1864 and established his reputation. One commentator likened it to a pastiche of Mantegna created by a German student who relaxes from his painting by reading Schopenhauer.
1876
Return to the Salon: “Salome”
After the break Moreau returned to the Salon. That year he completed “Salome Dancing before Herod”, which announced the more painterly style that would characterize his later works.
1895
Turns his townhouse into a museum
After finishing “Jupiter and Semele” Moreau began his last great project, a museum in his own townhouse, to make his art accessible to all and to ensure it would be preserved for future generations. He sold few works in his lifetime: only three were bought by French museums and none by foreign ones.
1898年4月18日
Died















