Andrew Wyeth美国, 1917–2009Eaton Place
可否一睹真容？
不能：作品被盗，正在追查
列入FBI全国被盗艺术品档案，编号00187。
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作品信息
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出处
- 美国联邦调查局被盗艺术品档案
- 图片： FBI National Stolen Art File
与此同时，在Andrew Wyeth的生活中
完整生平1950–1970s
The Kuerner farm, his subject for 30 years
His Chadds Ford neighbours Anna and Karl Kuerner and their farm were among Wyeth's chief subjects for nearly 30 years: “I didn't think it a picturesque place. It just excited me, purely abstractly and purely emotionally.” In “Brown Swiss” (1957), named after Karl's cows, there are no cows — only their tracks in the grass.
1960s
Turning to portraiture
In the 1960s Wyeth began to paint portraits: his friend Tom Clark (“Garret Room”, 1962), his neighbour Adam Johnson (“Adam”, 1963), his sister Carolyn (“Up in the Studio”, 1965).
1963 · 获奖
Presidential Medal of Freedom
1965
In Life magazine he calls himself an abstractionist
In a 1965 Life magazine article Wyeth said that although he was thought of as a realist, he thought of himself as an abstractionist: “My people, my objects breathe in a different way: there's another core — an excitement that's definitely abstract.”
