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  3. Drei Mädchen und ein Reiter
Drei Mädchen und ein Reiter, August Macke, 1912
August Macke肖像August Macke德国, 1887–1914

Drei Mädchen und ein Reiter

1912 · Print

可否一睹真容?

未知:馆方守口如瓶

阿尔贝蒂娜博物馆

維也納, 奧地利

归属已知。今日是否在展,馆方并未说明,而我们不敢妄加揣测。

此状态始于
2026年9月27日
出处
博物馆自己的馆藏数据
在地图上看博物馆页面

作品信息

1912 · 25岁
18871914

已收入目录

版画现代主义20 世纪

出处

  • 阿尔贝蒂娜博物馆:博物馆的开放数据 · 8天前获取
  • 图片: 阿尔贝蒂娜博物馆 — Public Domain Mark 1.0

与此同时,在August Macke的生活中

完整生平
  1. early 1910

    Meeting Franz Marc

    In early 1910 in Munich Macke sees an exhibition of Franz Marc’s paintings and decides to meet him at once: with his cousin Helmuth, also an artist, and Bernhard Koehler’s son, he goes to Marc’s home. From that day to the end of their lives the two are close friends: Macke draws Marc out of his “creative isolation”, the most quoted lines of Marc’s letters about the symbolic meaning of colours are addressed to him, and under his influence Marc begins to paint with large areas of saturated colour.

  2. 1911

    The Blue Rider: three works in the first exhibition

    Macke founds the association of Expressionist artists Der Blaue Reiter together with Wassily Kandinsky, Alfred Kubin and Franz Marc; three of his works are shown at the Blue Rider exhibition in Munich in 1911.

  3. April 1914

    Tunisia with Klee and Moilliet: landmark watercolours

    In April 1914 Macke makes a two-week trip to Tunisia with Paul Klee and Klee’s school friend, the painter Louis Moilliet, and brings back a large number of landmark watercolours. The exotic atmosphere of Tunisia becomes fundamental to the luminist approach of his final period; the sketches and photographs will serve as material for “Tunisian Landscape”, “Landscape with Cows and a Camel” and other works, but Macke will not manage to use them fully.

  4. 8 August 1914

    Mobilisation: to the front as a reservist

    Almost immediately after the outbreak of the First World War, on 8 August 1914, Macke, a reservist, is called up for the front. Far, as Elisabeth wrote years later, from the “hurrah-patriotism” that seized many, he nevertheless considers it his duty to go; in his letters from the front he describes the horror and cruelty of the war.

  5. 26 September 1914

    Killed in battle at twenty-seven

    On the morning of 26 September 1914 Macke is killed in battle in Champagne at the age of 27; his remains are not found, and his name appears among those of other dead on a gravestone at the military cemetery at Souain (other accounts say he is buried in the German military cemetery at Souain-Perthes-lès-Hurlus). In one of his last letters he remarks that only the steadfastness of the defenders of the Western Front will spare Germany the devastation by war that the front-line regions of France have suffered.

  6. 1914年9月26日

    Died

August Macke的更多作品

全部作品
People by the Blue Lake, August Macke, 1913

People by the Blue Lake

1913 · 国家美术馆

Begrüssung (Greeting), August Macke

Begrüssung (Greeting)

未展出 · 国家美术馆

Drei weibliche Akte, August Macke, 1902–1914

Drei weibliche Akte

1902–1914 · 藝術宮博物館

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918), August Macke, 1918 (executed 1912)

Composition (3 Nudes) [Komposition (3 Akte)] (plate, preceding p. 79) from the periodical Das Kunstblatt, vol. 2, no. 4 (Apr 1918)

1918 (executed 1912) · 未展出 · 現代藝術博物館

Die Begrüßung, August Macke, 1912

Die Begrüßung

1912 · 藝術宮博物館

Begrüßung, August Macke, 1912

Begrüßung

1912 · 藝術宮博物館

Zwei Mädchen mit Korb, August Macke, 1912

Zwei Mädchen mit Korb

1912 · 藝術宮博物館

Drei Mädchen und ein Reiter, August Macke, 1912

Drei Mädchen und ein Reiter

1912 · 阿尔贝蒂娜博物馆