Theo van Doesburg荷兰, 1883–1931Double Self-portrait
可否一睹真容？
未知：馆方守口如瓶
阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
归属已知。今日是否在展，馆方并未说明，而我们不敢妄加揣测。
- 出处
- 博物馆自己的馆藏数据
关于作品
The celebrated photographer Lucia Moholy was thought to have made this double portrait as a preliminary study for later profile portraits. The date on the page and further investigation proved otherwise, however. It was ‘a snapshot taken in the sun’ by the artist couple themselves before they had even met Lucia: a Bauhaus photograph avant-la-lettre.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-F-2003-101
What it shows
出处
- 阿姆斯特丹国家博物馆: the museum's own open data · 6天前获取
- 图片： 阿姆斯特丹国家博物馆 — © the artist or rights holder
与此同时，在Theo van Doesburg的生活中
完整生平1916–1921 · 工作地
Leiden
1921–1924 · 工作地
Weimar
1922
Weimar: trying to win over Gropius
In 1922 van Doesburg moves to Weimar, hoping to impress the Bauhaus director Walter Gropius and to spread the influence of De Stijl. Gropius does not think he should become a Bauhaus master, so van Doesburg settles near the Bauhaus buildings and begins to attract students interested in Constructivism, Dadaism and De Stijl.
1922
Congresses of the International of Arts
Together with El Lissitzky and Kurt Schwitters, van Doesburg pioneers the efforts towards an International of Arts at two congresses, in Düsseldorf and Weimar.
1922
The Dada magazine Mécano under the name I. K. Bonset
During a brief infatuation with Dada van Doesburg publishes the Dada magazine Mécano; under the heteronym I. K. Bonset (possibly from the Dutch “Ik ben zot”, “I am foolish”) he also publishes Dada poetry in De Stijl. Under a second pseudonym, Aldo Camini, he publishes anti-philosophical prose inspired by Carlo Carrà.
1922年7月–1922年8月 · 工作地
Rügen
