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首页地图目录
  1. 藏品/
  2. Kupferstich-Kabinett Dresden/
  3. Der spanische Sänger
Der spanische Sänger, Édouard Manet, 1861
Édouard Manet肖像Édouard Manet法国, 1832–1883

Der spanische Sänger

1861 · Print

可否一睹真容?

未知

Kupferstich-Kabinett Dresden

德累斯顿, 德國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1861 · 29岁
18321883

已收入目录

版画现实主义印象派19 世纪

出处

  • Kupferstich-Kabinett Dresden
  • 图片: Kupferstich-Kabinett Dresden — In Copyright

与此同时,在Édouard Manet的生活中

完整生平
  1. 1859

    “The Absinthe Drinker” rejected; a final break with Couture

    In 1859 Manet decided that his education was complete and submitted “The Absinthe Drinker” to the Salon; Couture reacted negatively and Manet finally broke with his teacher. The Salon jury rejected the painting: only Delacroix voted for it, while Couture voted against.

  2. 1861

    His first participation in the Salon

    In 1861 the Salon accepted two canvases by Manet: “Portrait of Monsieur and Madame Manet” and “The Spanish Singer”. Critics received the portrait coldly, while “The Spanish Singer” was admired by Théophile Gautier and, because of its popularity, hung in a more conspicuous place; the work intrigued young artists and brought new business to his studio.

  3. 1862

    “Music in the Tuileries”: the fury of the public

    In 1862 Manet exhibited “Music in the Tuileries” (probably painted in 1860), where the strollers include the poet Baudelaire, the musician Offenbach and the artist himself. It mostly provoked fury: the thick brushstrokes looked crude and unfinished, several visitors threatened to destroy the canvas; Delacroix defended it, and the controversy made Manet a well-known name in Paris.

  4. 1863

    “The Luncheon on the Grass” at the Salon des Refusés

    The Salon of 1863 rejected “The Luncheon on the Grass” (originally “Le Bain”), and Manet exhibited it at the Salon des Refusés, a parallel exhibition initiated by Napoleon III after a public outcry, the jury having accepted only 2,217 of more than 5,000 submissions. The juxtaposition of dressed men and a nude woman and the sketch-like handling caused a scandal; one critic compared the brushwork to a “floor mop”.

  5. 1863

    Marries Suzanne Leenhoff

    In 1863, a year after his father's death, Manet married Suzanne Leenhoff at a Protestant church: a Dutch-born piano teacher two years his senior with whom he had been romantically involved for about ten years. Auguste Manet had employed her to teach his sons the piano, and she may also have been Auguste's mistress.

  6. 1863

    Married: Suzanne Manet

Édouard Manet的更多作品

全部作品
The Spanish Singer, Edouard Manet, 1860

The Spanish Singer

1860 · 大都會藝術博物館

The Smoker, Édouard Manet, 1866

The Smoker

1866 · 明尼阿波利斯美術館

Young Lady in 1866, Edouard Manet, 1866

Young Lady in 1866

1866 · 大都會藝術博物館

Boating, Edouard Manet, 1874

Boating

1874 · 大都會藝術博物館

La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

La Vierge au lapin

Milieu du XIXe siècle (1840 - 1860) · 卢浮宫博物馆

Boy with a Sword, Edouard Manet, 1861

Boy with a Sword

1861 · 大都會藝術博物館

Portrait of Madame Brunet, Édouard Manet, about 1861–1863, reworked by 1867

Portrait of Madame Brunet

about 1861–1863, reworked by 1867 · J·保羅·蓋蒂博物館

The Old Musician, Edouard Manet, 1862

The Old Musician

1862 · 国家美术馆

来自Kupferstich-Kabinett Dresden的收藏

博物馆页面
Der Erzengel Michael, Raphael

Raphael

Der Erzengel Michael

Kopf einer jungen Frau mit Turban und Perlenkette, Raphael

Raphael

Kopf einer jungen Frau mit Turban und Perlenkette

Plakat: I. Kunstausstellung der Wiener Secession, Gustav Klimt, 1898

Gustav Klimt

Plakat: I. Kunstausstellung der Wiener Secession, 1898

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Diana und Aktaion, Rembrandt, 1663–1665

Rembrandt van Rijn

Diana und Aktaion, 1663–1665

Petrus am Totenbett der Tabea, Rembrandt, 1662–1665

Rembrandt van Rijn

Petrus am Totenbett der Tabea, 1662–1665

Die Frau mit dem Pfeil (Venus und Cupido?), Rembrandt, 1661

Rembrandt van Rijn

Die Frau mit dem Pfeil (Venus und Cupido?), 1661