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  1. 藏品/
  2. 安東·烏爾里希公爵美術館/
  3. Der bärtige Greis
Der bärtige Greis, Angelica Kauffmann, 1762
Angelica Kauffmann肖像Angelica Kauffmann瑞士, 1741–1807

Der bärtige Greis

1762 · Print

可否一睹真容?

未知

安東·烏爾里希公爵美術館

不伦瑞克, 德國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1762 · 21岁
17411807

画面内容

Alter Mann肖像男人GreisBart

已收入目录

版画洛可可新古典主义18 世纪

出处

  • 安東·烏爾里希公爵美術館
  • 图片: 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0

与此同时,在Angelica Kauffmann的生活中

完整生平
  1. c. 1762

    Meets Benjamin West and Johann Friedrich Reiffenstein

    In Florence Kauffman met the painters Benjamin West and Johann Friedrich Reiffenstein.

  2. c. 1762

    Florence: portraits of the English and a studio of her own

    Kauffman lingered in Florence and worked a great deal on portraits, in particular of English aristocrats visiting the city on the Grand Tour; she was given a separate studio, since working in the same room as a man was thought improper.

  3. June 1762

    Moves to Florence and meets Neoclassicism

    In June 1762 Kauffman and her family moved to Florence, where she first encountered the style that would be called Neoclassicism.

  4. October 1762

    The academies of Florence and Bologna elect her

    In October 1762 Angelica was elected a member of the Accademia delle Arti del Disegno in Florence and became an honorary member of the Accademia Clementina in Bologna.

  5. January 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  6. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

Angelica Kauffmann的更多作品

全部作品
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · 埃尔米塔日博物馆

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · 大都會藝術博物館

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · 大都會藝術博物館

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · 大都會藝術博物館

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · 大都會藝術博物館

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · 大都會藝術博物館

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · 大都會藝術博物館

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · 维多利亚和阿尔伯特博物馆