Jacques Callot法国, 1592–1635De kindermoord
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阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
归属已知。今日是否在展，馆方并未说明，而我们不敢妄加揣测。
- 出处
- 博物馆自己的馆藏数据
关于作品
In the museum's own words — the original
Ovale voorstelling van een straat of binnenplaats, omzoomd door statige gebouwen, waar soldaten bezig zijn kleine kinderen te vermoorden, terwijl vrouwen wanhopig proberen hun kroost te beschermen.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-OB-4654
What it shows
出处
- 阿姆斯特丹国家博物馆: the museum's own open data · 6天前获取
- 图片： 阿姆斯特丹国家博物馆 — public domain
与此同时，在Jacques Callot的生活中
完整生平1611–1621 · 工作地
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · 工作地
Nancy
1627
In the Netherlands at Infanta Isabella’s invitation
At the invitation of the Infanta Isabella Callot visits the Netherlands; views of Holland, like those of Italy and France, and characteristic portraits of soldiers, circus performers and actors are reflected in his work.
1627
Van Dyck paints his portrait in Brussels
In Brussels Callot meets Anthony van Dyck, who paints his portrait; it is later engraved by Lucas Vorsterman and enters the famous “Iconography”.
