Giovanni Francesco Barbieri, called Guercino意大利, 1591–1666De heilige Antonius van Padua
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《De heilige Antonius van Padua》现在在哪里？ 收藏方: 阿姆斯特丹国家博物馆, 阿姆斯特丹. 不明.
阿姆斯特丹, 荷蘭
所有者已知，目前是否展出尚不清楚。
- 出处
- 博物馆
关于作品
博物馆的介绍 — 荷兰语
De heilige Antonius van Padua met een boek en een lelietak in zijn handen.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-OB-36.355
画面内容
已收入目录
出处
- 阿姆斯特丹国家博物馆
- 图片： 阿姆斯特丹国家博物馆 — public domain
Giovanni Francesco Barbieri, called Guercino当时的生活
完整生平1621
Moves to Rome, to the court of Gregory XV
Marchese Enzo Bentivoglio recommended Guercino to the newly elected Pope Gregory XV, the Bolognese Alessandro Ludovisi. His Roman years (1621–1623) were the most productive of his life; the portrait of the pope (now in the Getty Museum) dates from them.
1623
Returns to his native Cento
After the death of Pope Gregory XV, Guercino left Rome and returned to his hometown.
1623
Ottavio Leoni draws his portrait
The portrait emphasises the permanent squint that gave the artist his nickname. Guercino's right eye was apparently 'lazy' and he presumably had monocular vision — which did not stop him conveying depth remarkably well.
1629
The Barbieri household account book begins
From this year Guercino's affairs are recorded in the Libro dei Conti di Casa Barbieri, kept up with his brother Paolo Antonio, a notable still-life painter; the book survives. He worked with extreme rapidity — no fewer than 106 large altarpieces and some 144 other paintings, besides a great many drawings.
1642
Moves to Bologna after Guido Reni's death
After the death of his commercial rival Guido Reni, Guercino moved his busy workshop to Bologna and took over Reni's role as the city's leading painter of sacred subjects. He painted and taught to the end of his life, amassed a notable fortune and, never having married, left it to his nephews and pupils Benedetto Gennari II and Cesare Gennari.
1666年12月22日
Died
