Anthony van Dyck佛兰德, 1599–1641De bespotting van Christus
能看到吗？
不明
《De bespotting van Christus》现在在哪里？ 收藏方: 阿姆斯特丹国家博物馆, 阿姆斯特丹. 不明.
阿姆斯特丹, 荷蘭
所有者已知，目前是否展出尚不清楚。
- 出处
- 博物馆
关于作品
博物馆的介绍 — 荷兰语
De bespotting van Christus door twee mannen, een man reikt hem spottend de rietstaf aan en een soldaat hangt hem een mantel om de schouders. Met vier regels Latijnse tekst in de marge onderaan.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-1953-709
画面内容
已收入目录
出处
- 阿姆斯特丹国家博物馆
- 图片： 阿姆斯特丹国家博物馆 — public domain
Anthony van Dyck当时的生活
完整生平1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1629
Beginning of His Relationship with Charles I
Van Dyck's relationship with Charles I began in 1629: through the intermediary Sir Endymion Porter, the king acquired his painting Rinaldo and Armida.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
1632 · 工作地
London
1632
Post: court painter
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
