![[Das Abendmahl; La Cène], Jacques Callot, 1619–1624](https://diglib.hab.de/varia/haum/callot-j-ab3-0008/max/000001.jpg)
Jacques Callot法国, 1592–1635[Das Abendmahl; La Cène]
能看到吗？
不明
《[Das Abendmahl; La Cène]》现在在哪里？ 收藏方: 安東·烏爾里希公爵美術館, 不伦瑞克. 不明.
不伦瑞克, 德國
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
作品信息
画面内容
已收入目录
出处
- 安東·烏爾里希公爵美術館
- 图片： 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0
Jacques Callot当时的生活
完整生平1611–1621 · 工作地
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1617
Switches to hard ground and repeated biting
From 1617 Callot uses, instead of the soft ground customary until then, the acid-resistant hard ground of Florentine joiners and furniture-makers; it allows the plate to be bitten repeatedly, with parts of the spatial planes successively covered by varnish, and gives broad tonal gradations; he is also credited with the échoppe, an etching needle with a slanted end that produces a swelling line.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · 工作地
Nancy
