.png?width=96)
Katsushika Hokusai日本, 1760–1849Dance Performance
可否一睹真容？
未知
阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
所有者已知，目前是否展出尚不清楚。
- 出处
- 博物馆
关于作品
博物馆的介绍 — 荷兰语
Een dansende vrouw met waaier, in een kamer met orkest en uitzicht op een tuin. Het orkest, bestaande uit twee shamisen speelsters, een zangeres met liedboek en een mannelijke drummer, zit op een rode mat. Het silhouet van drie vrouwen is zichtbaar door de papieren schuifdeuren.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-1980-5(R)
与此同时，在Katsushika Hokusai的生活中
完整生平1798
Becomes an independent artist
Hokusai passed his name on to a pupil and, for the first time, set out as an independent artist tied to no school, taking the name Hokusai Tomisa.
1800
The name Katsushika Hokusai and his first landscape albums
Hokusai adopted the name by which the world knows him: Katsushika, after the district of Edo where he was born, and Hokusai, “north studio”, in honour of the North Star, symbol of a deity of his Nichiren Buddhist faith. That year he published Famous Sights of the Eastern Capital and Eight Views of Edo, and began to take pupils of his own — some fifty over his lifetime.
c. 1800
Daughter born: Katsushika Ōi
1804–1815
Illustrating the novels of Takizawa Bakin
Hokusai illustrated books by the popular novelist Takizawa Bakin; the fantasy novel Chinsetsu Yumiharizuki (Strange Tales of the Crescent Moon, 1807–1811), about Minamoto no Tametomo, made him especially famous. After thirteen works the partnership broke up, whether over clashing personalities or over how the illustrations should be drawn.
1812
Friendship with the artist Bokusen
Hokusai began a close friendship with the artist Bokusen (1775–1824), thanks to which the Hokusai Manga albums came out in Nagoya between 1814 and 1834.
1812
