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  3. Cycles Perfecta
Cycles Perfecta, Alphonse Mucha, 1897
Alphonse Mucha肖像Alphonse Mucha捷克, 1860–1939

Cycles Perfecta

1897 · Print

可否一睹真容?

未知

MB
Musée de Bretagne

雷恩, 法國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年10月5日
出处
博物馆
在地图上看博物馆页面

作品信息

1897 · 37岁
18601939
馆藏编号
933.0032.123 ; 13.268 (Autre N° 1)

画面内容

Scène (femme, à mi-corps, bicyclette (cyclisme),style Art nouveau)

已收入目录

版画石版画印象派19 世纪

出处

  • Musée de Bretagne
  • 图片: Musée de Bretagne — © Prudor Gérard; Ministère de la Culture (France), base Joconde

与此同时,在Alphonse Mucha的生活中

完整生平
  1. 1 January 1895

    The “Gismonda” poster appears on the streets of Paris

    The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.

  2. after 1 January 1895

    A contract with the printer Champenois and a new studio

    Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.

  3. 1897

    Retrospective at the Salon des Cent: 448 works

    Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.

  4. January 1898

    Joins a lodge of the Grand Orient de France

    In January 1898 Mucha joined the Paris masonic lodge of the Grand Orient de France; a devoted Catholic, he was also interested in mysticism.

  5. 20 December 1899

    “Le Pater” is published

    Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.

  6. c. 1899 – 1900

    A trip to the Balkans for sketches

    As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.

Alphonse Mucha的更多作品

全部作品
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · 大都會藝術博物館

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

未展出 · 国家美术馆

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · 未展出 · 現代藝術博物館

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · 阿姆斯特丹国家博物馆

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · 未展出 · 現代藝術博物館

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

阿尔贝蒂娜博物馆

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

阿尔贝蒂娜博物馆

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · 阿尔贝蒂娜博物馆