Christ à la Colonne, Alonso Cano, 17e siècle
Alonso Cano肖像Alonso Cano西班牙, 1601–1667

Christ à la Colonne

17e siècle · Painting · 162 × 101 cm

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作品信息

馆藏编号
05.10.1

画面内容

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出处

  • 波城美术博物馆
  • 图片: 波城美术博物馆 — © POUMEYROL Jean-Christophe; Ministère de la Culture (France), base Joconde

Alonso Cano当时的生活

完整生平
  1. 1601年3月19日

    Born

  2. 1637

    Called to Madrid by the Count-Duke of Olivares

    He begins preparing for a journey to Madrid, where he is called to work for the Count-Duke of Olivares, a close associate of King Philip IV. The summons may have come at Velázquez’s suggestion.

  3. winter 1638

    Settles in Madrid

    He settles in Madrid; closeness to the court lets him see the royal collections, rich in 16th-century Venetian painting and in Velázquez’s recent works. This helps explain the evolution of his style from the tenebrism borrowed from Caravaggio to a more colourful manner and elegant figures recalling the paintings of Van Dyck.

  4. 1644

    His wife is found murdered; suspicion falls on Cano

    Cano’s wife is found murdered with fifteen stab wounds; an Italian painter who lived in his house (by another account, a servant) is accused but vanishes, and because of discord between the spouses suspicion falls on Alonso himself. The judges, mindful of his unbalanced temper, blame Cano: he is arrested and tortured but is not found guilty and, not without the king’s intervention, is released.

  5. 1652

    Returns to Granada and becomes a canon

    Back in his native city (he had been living in the province of Valencia), he receives holy orders with the help of Philip IV, becomes a canon and chief architect of the cathedral, decorates its main chapel and is appointed its chief painter; by another account, the orders gave him protection from further prosecution. He brings books, engravings and tools with him, apparently planning to stay for good.

  6. 1667年9月3日

    Died

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