Chichester Canal, J. M. W. Turner, 1828
Joseph Mallord William Turner肖像Joseph Mallord William Turner英国, 1775–1851

Chichester Canal

1828 · Painting · 134.6 × 65.4 cm

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关于这幅画

Chichester Canal is a painting by the English Romantic landscape painter, watercolourist and printmaker J. M. W. Turner. It was painted in 1828 and was commissioned by George Wyndham, 3rd Earl of Egremont. It is now in the Tate Collection.

The work depicts the Chichester Canal in Sussex, southern England. The ship is probably a collier brig, as this serene scene had commercial purpose. Its brilliant colours may have been influenced by atmospheric ash from the eruption of Mount Tambora in Indonesia (see also Year Without a Summer).

The painting is an initial version of the final composition in Petworth House.

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作品信息

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NG560

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  • 维基数据
  • 图片: 国家美术馆 — J. M. W. Turner · Public domain · Wikimedia Commons

Joseph Mallord William Turner当时的生活

完整生平
  1. 1820s

    Print series for publishers

    In the 1820s he worked on several topographical print commissions: “Picturesque Views on the Southern Coast of England” (1814–1826) and “The Rivers of England” (1822–1826) for the Cooke brothers, “Picturesque Views in England and Wales” (1824–1838) for Charles Heath and “The Ports of England” (1825–1828) for Thomas Lupton.

  2. 1829

    The death of his father

    His father, who had lived with him for thirty years and worked as an assistant in his studio, died in 1829; the loss strongly affected Turner, who began to suffer fits of depression afterwards, and he finally abandoned his own gallery.

  3. 1829

    Paris, Normandy and Brittany

    In the twenty-year period from 1821 to 1844 he visited several European countries, studying the old masters and taking long hikes into the countryside: in 1829 Paris, Normandy and Brittany, and three years later Paris for the second time.

  4. 1830–1840s

    Criticism in the 1830s–1840s and Ruskin’s defence

    His innovative works, bordering on abstraction, gave him a reputation for madness: the Victorian public preferred realism and sentimentality, and Queen Victoria refused to knight him. John Ruskin came to his defence, calling him “the greatest artist of all time”.

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