Viktor Vasnetsov1848–1926Бюст Ильи Ефимовича Репина
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《Бюст Ильи Ефимовича Репина》现在在哪里？ 收藏方: Abramtsevo, Abramtsevo. 不明.
Abramtsevo, 俄罗斯
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这件雕塑
博物馆的介绍 — 俄语
Оплечно, прямолично. В сюртуке и рубашке с расстегнутым воротом, повязанным галстуком-бантом. Волосы курчавые, острая бородка, усы; взгляд устремлен вдаль. Ниже среза груди и плечей – часть палитры. Спереди надпись в гипсе: В. Васнецовъ1880.
Abramtsevo
作品信息
- 馆藏编号
- СК 4
已收入目录
出处
- 俄罗斯博物馆藏品国家目录
- 图片： Abramtsevo — © Абрамцево · Госкаталог музейного фонда РФ
Viktor Vasnetsov当时的生活
完整生平1878
He moves to Moscow, the city of his life’s work
In 1878, his resolve strengthened by Mamontov’s letter, he moved to Moscow, the city to which most of his creative life would be tied: he settled in a small flat in 3rd Ushakovsky Lane near Ostozhenka, walked the city for hours admiring the Kremlin and St Basil’s, and until 1885 the family changed rented flats in Moscow six times.
1878–1880
Mamontov’s commission for the Donetsk Railway
Repin brought him to the house of Savva Mamontov, who commissioned three fairy-tale pictures for the boardroom of the Donetsk Railway — “The Battle of the Russians with the Scythians”, “The Flying Carpet” and “The Three Princesses of the Underground Kingdom” (the princesses of gold, precious stones and coal); the princess Coal, a modest dark-haired girl in a black dress, was especially successful.
1878–1890 · 事业
the Peredvizhniki
From 1878 he belonged to the Society of Travelling Art Exhibitions (the Peredvizhniki): he took part in its activity in 1878–1890 and exhibited with it until 1897; he was admitted for the realism and sharp social subjects of his genre paintings.
1879
His daughter Tatyana, the first of five children, is born
In 1879 his daughter Tatyana was born, later an artist and keeper of her father’s legacy; sons followed — Boris (1880), Alexei (1882), Mikhail (1884) and Vladimir (1889).
1880
His first visit to Mamontov’s Abramtsevo
In June 1880, with his brother Apollinary, he first came to Abramtsevo at Savva Mamontov’s invitation and joined the circle of Repin, Polenov, Serov and other artists, where he became one of the leaders of the national-romantic current.
