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Bocskay-tér, Budapest, André Kertész, 1914
André Kertész肖像André Kertész美国, 1894–1985

Bocskay-tér, Budapest

1914 · Photograph

可否一睹真容?

眼下不见客

現代藝術博物館

纽约, 美國

仍属馆藏,只是目前没有展出。

核实
9天前
出处
博物馆
在地图上看博物馆页面

作品信息

1914 · 20岁
18941985
馆藏编号
1715.2001

已收入目录

摄影银盐明胶印相现代主义20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder

与此同时,在André Kertész的生活中

完整生平
  1. 1912

    Buys his first camera despite his family’s protests

    After earning enough money he quickly buys his first camera, an ICA box camera, despite his family’s protests that he should continue his career in business. In his free time he photographs the local peasants, Romani people and the landscape of the Hungarian Plains (the puszta); his first photograph is believed to be Sleeping Boy, Budapest, 1912. First encounters with magazine photography inspire him to learn the craft, and he is also influenced by paintings by Lajos Tihanyi and Gyula Zilzer and by poetry.

  2. 1912

    The Academy of Commerce and a job at the stock exchange

    His uncle Hoffmann pays for his business classes at the Academy of Commerce until his graduation in 1912 and soon arranges his hiring by the stock exchange. Unlike his older brother Imre, who works at the exchange in Budapest all his life, Kertész has little interest in the field; he is drawn to illustrated magazines and to fishing and swimming in the Danube near his uncle’s property.

  3. 1914

    At the front: trench life on a Goerz Tenax

    At the age of 20 he is sent to the frontline of the First World War, where he photographs life in the trenches with a lightweight Goerz Tenax camera; most of these photographs are destroyed during the violence of the Hungarian Revolution of 1919. His distinctive, mature style is already evident in work of 1914 such as Eugene.

  4. 1915

    Wounded, then convalescing in Esztergom

    He is wounded by a bullet and suffers temporary paralysis of his left arm; sent to convalesce in a military hospital in Budapest, he is later transferred to Esztergom, where he continues to take photographs, including a self-portrait for a competition in the magazine Borsszem Jankó. He does not heal soon enough to return to combat.

André Kertész的更多作品

全部作品
Promenade, André Kertész, 1962

Promenade

1962 · 現代藝術博物館

Sleeping Boy, André Kertész, 1912

Sleeping Boy

1912 · 未展出 · 国家美术馆

Self-Portrait at Front, André Kertész, c. 1915-1916

Self-Portrait at Front

c. 1915-1916 · 未展出 · 国家美术馆

The Fairy Tale, André Kertész, 1915

The Fairy Tale

1915 · 未展出 · 国家美术馆

Self-Portrait, André Kertész, 1915

Self-Portrait

1915 · 未展出 · 国家美术馆

Self-Portrait, Wounded, with Officer, André Kertész, January 1916

Self-Portrait, Wounded, with Officer

January 1916 · 未展出 · 国家美术馆

Esztergom Cathedral, André Kertész, 1917

Esztergom Cathedral

1917 · 未展出 · 国家美术馆

My Brother Jeno, Dunaharaszti, Hungary, André Kertész, 1917

My Brother Jeno, Dunaharaszti, Hungary

1917 · 未展出 · 現代藝術博物館

同馆近邻:現代藝術博物館

博物馆页面
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950