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  1. 藏品/
  2. 斯洛伐克國家美術館/
  3. Bacchus
Bacchus, Hendrick Goltzius, 1590–1610
Hendrick Goltzius肖像Hendrick Goltzius荷兰, 1558–1617

Bacchus

1590–1610 · Print

可否一睹真容?

未知

斯洛伐克國家美術館

布拉迪斯拉发, 斯洛伐克

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1590–1610
15581617

与此同时,在Hendrick Goltzius的生活中

完整生平
  1. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  2. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  3. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  4. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

  5. mid-1590s

    Turn toward classicism

    In the mid-1590s his art underwent a gradual stylistic turn toward classicism; at the same time he began executing large finished pen drawings on parchment in a calligraphic technique imitating the methods of burin engraving.

Hendrick Goltzius的更多作品

全部作品

来自斯洛伐克國家美術館的收藏

博物馆页面

c. 1600

Abandoning engraving for painting

Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

已收入目录

版画文艺复兴16 世纪

出处

  • 斯洛伐克國家美術館
  • 图片: 斯洛伐克國家美術館 — Public Domain Mark 1.0
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · 阿姆斯特丹国家博物馆

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · 埃尔米塔日博物馆

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · 埃尔米塔日博物馆

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · 阿姆斯特丹国家博物馆

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · 阿姆斯特丹国家博物馆

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · 国家美术馆

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · 克利夫蘭藝術博物館

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · 克利夫蘭藝術博物館

Krst eunucha (Sk 8, 26-39), Rembrandt, 1641

Rembrandt van Rijn

Krst eunucha (Sk 8, 26-39), 1641

Marc Agripe, Rembrandt, 1640–1660

Rembrandt van Rijn

Marc Agripe, 1640–1660

Ukameňovanie svätého Štefana (Sk 7, 55-60), Rembrandt, 1635

Rembrandt van Rijn

Ukameňovanie svätého Štefana (Sk 7, 55-60), 1635

Potulní muzikanti, Rembrandt, 1635–1650

Rembrandt van Rijn

Potulní muzikanti, 1635–1650

Ukrižovanie, Rembrandt, 1625–1645

Rembrandt van Rijn

Ukrižovanie, 1625–1645

Detail podobizne Viliama Burggraeffa, Rembrandt, 17th century

Rembrandt van Rijn

Detail podobizne Viliama Burggraeffa, 17th century

Muž so zlatou helmou, Rembrandt, 20th century

Rembrandt van Rijn

Muž so zlatou helmou, 20th century

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, Giovanni Battista Piranesi, 1765

Giovanni Battista Piranesi

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, 1765