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  3. A Windmill near Brighton
A Windmill near Brighton, John Constable, 1824
John Constable肖像John Constable英国, 1776–1837

A Windmill near Brighton

1824 · Painting · 25.1 × 20.3 cm

可否一睹真容?

未知

国家美术馆

倫敦, 英国

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月29日
出处
博物馆
在地图上看博物馆页面

作品信息

1824 · 48岁
17761837
馆藏编号
NG2657

已收入目录

绘画英国绘画新古典主义浪漫主义19 世纪

出处

  • 维基数据
  • 图片: 国家美术馆 — John Constable · Public domain · Wikimedia Commons

与此同时,在John Constable的生活中

完整生平
  1. 1822/1823

    Daughter born: Isabel Constable

  2. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  3. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  4. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  5. 1825

    A quarrel with Arrowsmith: the French market is lost

    In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.

John Constable的更多作品

全部作品
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · 大都會藝術博物館

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · 国家美术馆

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · 国家美术馆

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · 卢浮宫博物馆

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · 国家美术馆

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · 卢浮宫博物馆

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · 卢浮宫博物馆

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · 大都會藝術博物館

来自国家美术馆的收藏

博物馆页面
Virgin of the Rocks, Leonardo da Vinci, 1490s

Leonardo da Vinci

Virgin of the Rocks, 1490s

Long Grass with Butterflies, Vincent van Gogh, 1890

Vincent van Gogh

Long Grass with Butterflies, 1890

Farms near Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Farms near Auvers, 1890

A Wheatfield, with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

A Wheatfield, with Cypresses, 1889

Head of a Peasant Woman, Vincent van Gogh, 1885

Vincent van Gogh

Head of a Peasant Woman, 1885

Manchester Madonna, Michelangelo, c. 1494

Michelangelo

Manchester Madonna, c. 1494

The Entombment, Michelangelo, c. 1500s

Michelangelo

埋葬, c. 1500s

The Grand Canal, Venice, Claude Monet, 1908

Claude Monet

The Grand Canal, Venice, 1908