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Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo), Goya, 1810 (published 1863)Francisco de GoyaPlate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza, Goya, 1816Francisco de GoyaPlate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza1816Metropoliten Sanat Müzesi
Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, Goya, 1816Francisco de GoyaPlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms1816Metropoliten Sanat Müzesi
Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja), Goya, 1810 (published 1863)Francisco de GoyaPlate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Goya, 1816Francisco de GoyaPlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules1816Metropoliten Sanat Müzesi
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), Goya, 1810 (published 1863)Francisco de GoyaPlate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?), Goya, 1799Francisco de GoyaPlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)1799Metropoliten Sanat Müzesi
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)Metropoliten Sanat Müzesi
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya, 1816Francisco de GoyaA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"1816Metropoliten Sanat Müzesi
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810Metropoliten Sanat Müzesi
'Animal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Animal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published before 1877)Metropoliten Sanat Müzesi
Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)1814–15 (published 1863)Metropoliten Sanat Müzesi
The horse abductor, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaThe horse abductor, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta), Goya, 1799Francisco de GoyaPlate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)1799Metropoliten Sanat Müzesi
Clear Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaClear Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos", Goya, ca. 1797–98Francisco de GoyaPlate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"ca. 1797–98Metropoliten Sanat Müzesi
Blind Guitarist, Goya, ca. 1778Francisco de GoyaBlind Guitaristca. 1778Metropoliten Sanat Müzesi
Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa), Goya, 1799Francisco de GoyaPlate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)1799Metropoliten Sanat Müzesi
Aesop, after Velázquez, Goya, 1778Francisco de GoyaAesop, after Velázquez1778Metropoliten Sanat Müzesi
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo), Goya, ca. 1810Francisco de GoyaPlate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)ca. 1810Metropoliten Sanat Müzesi
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Flying Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?), Goya, 1799Francisco de GoyaPlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)1799Metropoliten Sanat Müzesi
'Poor Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Poor Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799Metropoliten Sanat Müzesi
Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)1814–15 (published 1863)Metropoliten Sanat Müzesi
Little Bulls' Folly, from "The Disparates" (Disparates, Plate D), Goya, ca. 1815–19 (published 1877)Francisco de GoyaLittle Bulls' Folly, from "The Disparates" (Disparates, Plate D)ca. 1815–19 (published 1877)Metropoliten Sanat Müzesi
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropoliten Sanat Müzesi
Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados), Goya, 1799Francisco de GoyaPlate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)1799Metropoliten Sanat Müzesi
Plate 38 from "Los Caprichos": Bravo! (Brabisimo!), Goya, 1799Francisco de GoyaPlate 38 from "Los Caprichos": Bravo! (Brabisimo!)1799Metropoliten Sanat Müzesi
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)ca. 1810 (published 1863)Metropoliten Sanat Müzesi
Plate 53  from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró sin remedio)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)1811–12 (published 1863)Metropoliten Sanat Müzesi
Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!), Goya, 1799Francisco de GoyaPlate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)1799Metropoliten Sanat Müzesi
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Goya, 1816Francisco de GoyaPlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country1816Metropoliten Sanat Müzesi
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya, 1799Francisco de GoyaPlate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)1799Metropoliten Sanat Müzesi
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya, 1816Francisco de GoyaPlate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon1816Metropoliten Sanat Müzesi
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo), Goya, 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 24 from  "Los Caprichos": Nothing could be done about It (Nohubo remedio), Goya, 1799Francisco de GoyaPlate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)1799Metropoliten Sanat Müzesi
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto), Goya, 1810 (published 1863)Francisco de GoyaPlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)1810 (published 1863)Metropoliten Sanat Müzesi
Plate 69 from "Los Caprichos": Blow (Sopla), Goya, 1799Francisco de GoyaPlate 69 from "Los Caprichos": Blow (Sopla)1799Metropoliten Sanat Müzesi
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Flying Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropoliten Sanat Müzesi
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