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ART WIKI

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Koleksiyonlar: Art Institute of Chicago, Cleveland Sanat Müzesi, Cooper Hewitt, Smithsonian Design Museum, Ermitaj Müzesi, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Müzesi, Louvre Müzesi, Metropoliten Sanat Müzesi, Minneapolis Institute of Art, Modern Sanat Müzesi, National Museum of Asian Art, National Portrait Gallery, Puşkin Müzesi, Rijksmuseum Amsterdam, Rus Devlet Müzesi, Smithsonian Amerikan Sanat Müzesi, SMK — National Gallery of Denmark, Tretyakov Devlet Galerisi, Ulusal Sanat Galerisi, Victoria ve Albert Müzesi, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Rusya Müze Fonu Devlet Kataloğu (274 müze), Europeana (19 müze), Wikidata (44 müze), Paris Musées (12 müze), Joconde, Fransa Kültür Bakanlığı müze veritabanı (495 müze) ve İtalya Kültür Bakanlığı Kültür Varlıkları Genel Kataloğu (25 müze). Görsellerin hakları sahiplerine aittir.

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İzlenimcilik dönemi, 1860–1905

396.243 eser 654 müzedenŞu anda 3.433 eser sergileniyorTemizle

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Studie für die linke der „Drei Gorgonen“ im Beethovenfries, Gustav Klimt, 1901Gustav KlimtStudie für die linke der „Drei Gorgonen“ im Beethovenfries1901Albertina Müzesi
The Third-Class Carriage, Honoré Daumier, 1864Honoré DaumierThe Third-Class Carriage1864Salon 812Metropoliten Sanat Müzesi
Muž so zlatou helmou, Rembrandt, 20th centuryRembrandt van RijnMuž so zlatou helmou20th centurySlovak National Gallery
No se puede saber por que (One Can't Tell Why), Francisco Goya, published 1863Francisco de GoyaNo se puede saber por que (One Can't Tell Why)published 1863Ulusal Sanat Galerisi
Seite 80 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 80 (Leerseite)1898Avusturya Belverede Galerisi
Greisenhaupt, sitzender weiblicher Rückenakt, Detail eines weiblichen Oberkörpers (Studien für den 1. Zustand von "Die Medizin"), Gustav Klimt, 1900–1901Gustav KlimtGreisenhaupt, sitzender weiblicher Rückenakt, Detail eines weiblichen Oberkörpers (Studien für den 1. Zustand von "Die Medizin")1900–1901Albertina Müzesi
Y no hai remedio (And There's No Help for It), Francisco Goya, published 1863Francisco de GoyaY no hai remedio (And There's No Help for It)published 1863Ulusal Sanat Galerisi
Seite 84 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 84 (Leerseite)1898Avusturya Belverede Galerisi
Fliegender Dreifuß (Illustration für „Ver Sacrum“), Gustav Klimt, 1897–1898Gustav KlimtFliegender Dreifuß (Illustration für „Ver Sacrum“)1897–1898Albertina Müzesi
Por que? (Why?), Francisco Goya, published 1863Francisco de GoyaPor que? (Why?)published 1863Ulusal Sanat Galerisi
The Music I, Gustav Klimt, 1895Gustav KlimtThe Music I1895Neue Pinakothek
Y esto tambien (And This Too), Francisco Goya, published 1863Francisco de GoyaY esto tambien (And This Too)published 1863Ulusal Sanat Galerisi
Tanto y mas (Even Worse), Francisco Goya, published 1863Francisco de GoyaTanto y mas (Even Worse)published 1863Ulusal Sanat Galerisi
Christ Preaching (The Hundred Guilder Print), Léopold Flameng, after Rembrandt van Rijn, 1873Rembrandt van RijnChrist Preaching (The Hundred Guilder Print)1873Ulusal Sanat Galerisi
Portrait of a Man (Le Doreur), Léopold Flameng, after Rembrandt van Rijn, published 1885Rembrandt van RijnPortrait of a Man (Le Doreur)published 1885Ulusal Sanat Galerisi
Que valor! (What Courage!), Francisco Goya, published 1863Francisco de GoyaQue valor! (What Courage!)published 1863Ulusal Sanat Galerisi
Seite 34 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 34 (Leerseite)1898Avusturya Belverede Galerisi
Seite 53, Gustav Klimt, 1898Gustav KlimtSeite 531898Avusturya Belverede Galerisi
Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863Francisco de GoyaY son fieras (And They Are Like Wild Beasts)published 1863Ulusal Sanat Galerisi
Studie für „Wollust“ im Beethovenfries, Gustav Klimt, 1901Gustav KlimtStudie für „Wollust“ im Beethovenfries1901Albertina Müzesi
Beethovenfries: Die Sehnsucht nach Glück - Tafel 1, linke Langwand, Gustav Klimt, 1901–1902Gustav KlimtBeethovenfries: Die Sehnsucht nach Glück - Tafel 1, linke Langwand1901–1902Avusturya Belverede Galerisi
Modo de volar (A Way of Flying), Francisco Goya, published 1864Francisco de GoyaModo de volar (A Way of Flying)published 1864Ulusal Sanat Galerisi
Kompositionsentwurf für "Die Reiche der Natur", Gustav Klimt, 1882Gustav KlimtKompositionsentwurf für "Die Reiche der Natur"1882Albertina Müzesi
Que valor! (What Courage!), Francisco Goya, published 1863Francisco de GoyaQue valor! (What Courage!)published 1863Ulusal Sanat Galerisi
Ni por esas (Neither Do These), Francisco Goya, published 1863Francisco de GoyaNi por esas (Neither Do These)published 1863Ulusal Sanat Galerisi
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863Ulusal Sanat Galerisi
Nude on a Couch, Gustave Caillebotte, c. 1880Gustave CaillebotteNude on a Couchc. 1880G351Minneapolis Institute of Art
Seite 96 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 96 (Leerseite)1898Avusturya Belverede Galerisi
Seite 32 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 32 (Leerseite)1898Avusturya Belverede Galerisi
Seite 9, Gustav Klimt, 1898Gustav KlimtSeite 91898Avusturya Belverede Galerisi
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863Ulusal Sanat Galerisi
Seite 36 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 36 (Leerseite)1898Avusturya Belverede Galerisi
Studie für „Bildnis Marie Henneberg“, Gustav Klimt, 1901Gustav KlimtStudie für „Bildnis Marie Henneberg“1901Albertina Müzesi
No se puede mirar (One Can't Look), Francisco Goya, published 1863Francisco de GoyaNo se puede mirar (One Can't Look)published 1863Ulusal Sanat Galerisi
Mann mit Bart und Mütze im verlorenen Profil (Studie für "Shakesepeares Globe Theatre", Wiener Burgtheater), Gustav Klimt, 1886–1887Gustav KlimtMann mit Bart und Mütze im verlorenen Profil (Studie für "Shakesepeares Globe Theatre", Wiener Burgtheater)1886–1887Albertina Müzesi
Portrait of Hermine Gallia, Gustav Klimt, 1904Gustav KlimtPortrait of Hermine Gallia1904National Gallery
Spanish Scene (Scène espagnole), Jules-Ferdinand Jacquemart after Francisco Goya, 1863Francisco de GoyaSpanish Scene (Scène espagnole)1863Ulusal Sanat Galerisi
‘Arrangement in Yellow and Gray’: Effie Deans, James Abbott McNeill Whistler, c. 1876 - c. 1878James Abbott McNeill Whistler‘Arrangement in Yellow and Gray’: Effie Deansc. 1876 - c. 1878Rijksmuseum Amsterdam
Huis aan de gracht in Amsterdam, James Abbott McNeill Whistler, 1889James Abbott McNeill WhistlerHuis aan de gracht in Amsterdam1889Rijksmuseum Amsterdam
Seite 107, Gustav Klimt, 1898Gustav KlimtSeite 1071898Avusturya Belverede Galerisi
Seite 62 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 62 (Leerseite)1898Avusturya Belverede Galerisi
Seite 79, Gustav Klimt, 1898Gustav KlimtSeite 791898Avusturya Belverede Galerisi
Brustbild eines kahlköpfigen alten Mannes (Studie für „Allegorie der Liebe“), Gustav Klimt, 1895Gustav KlimtBrustbild eines kahlköpfigen alten Mannes (Studie für „Allegorie der Liebe“)1895Albertina Müzesi
Seite 42 (Leerseite), Gustav Klimt, 1898Gustav KlimtSeite 42 (Leerseite)1898Avusturya Belverede Galerisi
Liegender Halbakt (Studie für „Wasserschlangen II“, 1. Zustand), Gustav Klimt, 1904Gustav KlimtLiegender Halbakt (Studie für „Wasserschlangen II“, 1. Zustand)1904Albertina Müzesi
Woman Lying on her Back, Partly Dressed, Gustav Klimt, 1904Gustav KlimtWoman Lying on her Back, Partly Dressed1904Yale University Art Gallery
Two Studies of Female Nude for the "Beethoven frieze", Gustav Klimt, 1902Gustav KlimtTwo Studies of Female Nude for the "Beethoven frieze"1902Yale University Art Gallery
Fuerte cosa es! (That's Tough!), Francisco Goya, published 1863Francisco de GoyaFuerte cosa es! (That's Tough!)published 1863Ulusal Sanat Galerisi
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