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Koleksiyonlar: Art Institute of Chicago, Cleveland Sanat Müzesi, Cooper Hewitt, Smithsonian Design Museum, Ermitaj Müzesi, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Müzesi, Louvre Müzesi, Metropoliten Sanat Müzesi, Minneapolis Institute of Art, Modern Sanat Müzesi, National Museum of Asian Art, National Portrait Gallery, Puşkin Müzesi, Rijksmuseum Amsterdam, Rus Devlet Müzesi, Smithsonian Amerikan Sanat Müzesi, SMK — National Gallery of Denmark, Tretyakov Devlet Galerisi, Ulusal Sanat Galerisi, Victoria ve Albert Müzesi, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Rusya Müze Fonu Devlet Kataloğu (274 müze), Europeana (19 müze), Wikidata (44 müze), Paris Musées (12 müze), Joconde, Fransa Kültür Bakanlığı müze veritabanı (495 müze) ve İtalya Kültür Bakanlığı Kültür Varlıkları Genel Kataloğu (25 müze). Görsellerin hakları sahiplerine aittir.

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The First Book of Urizen, Plate 15 (Bentley 14), William Blake, 1794William BlakeThe First Book of Urizen, Plate 15 (Bentley 14)1794Yale Center for British Art
Ode to Adversity; Title Page, William Blake, between 1797 and 1798William BlakeOde to Adversity; Title Pagebetween 1797 and 1798Yale Center for British Art
Landscape with Spire, William Blake, ca. 1801William BlakeLandscape with Spireca. 1801Yale Center for British Art
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 22)1794Yale Center for British Art
The Descent of Odin, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Descent of Odin, An Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
"Fear to stop, and shame to fly..." (Design 91), William Blake, between 1797 and 1798William Blake"Fear to stop, and shame to fly..." (Design 91)between 1797 and 1798Yale Center for British Art
Tiriel Supporting the Dying Myratana and Cursing His Sons, William Blake, 1786 to 1789William BlakeTiriel Supporting the Dying Myratana and Cursing His Sons1786 to 1789Yale Center for British Art
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16), William Blake, 1793William Blake"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)1793Yale Center for British Art
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14), William Blake, 1793William Blake"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)1793Yale Center for British Art
A Dream (Plate 4), William Blake, 1789William BlakeA Dream (Plate 4)1789Yale Center for British Art
Plague (Plate 13), William Blake, 1794William BlakePlague (Plate 13)1794Yale Center for British Art
The Widow Embracing Her Husband's Grave, William Blake, 1805 to 1808William BlakeThe Widow Embracing Her Husband's Grave1805 to 1808Yale Center for British Art
Chapter IX, "They lived a period of years..." (Plate 27), William Blake, 1794William BlakeChapter IX, "They lived a period of years..." (Plate 27)1794Yale Center for British Art
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3), William Blake, 1793William BlakePreludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)1793Yale Center for British Art
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19), William Blake, between 1797 and 1798William Blake"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)between 1797 and 1798Yale Center for British Art
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 281819Yale Center for British Art
Ode on the Spring; Title Page, William Blake, between 1797 and 1798William BlakeOde on the Spring; Title Pagebetween 1797 and 1798Yale Center for British Art
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23), William Blake, 1804 to 1820William Blake"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)1804 to 1820Yale Center for British Art
Albion Compelling the Four Zoas to Their Proper Tasks, William Blake, 1804 to 1810William BlakeAlbion Compelling the Four Zoas to Their Proper Tasks1804 to 1810Yale Center for British Art
Poems by Mr. Gray; Title Page, William Blake, between 1797 and 1798William BlakePoems by Mr. Gray; Title Pagebetween 1797 and 1798Yale Center for British Art
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57), William Blake, between 1797 and 1798William Blake"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)between 1797 and 1798Yale Center for British Art
Socrates, a Visionary Head, William Blake, ca. 1820William BlakeSocrates, a Visionary Headca. 1820Yale Center for British Art
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71), William Blake, between 1797 and 1798William Blake"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)between 1797 and 1798Yale Center for British Art
The Fatal Sisters, An Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Fatal Sisters, An Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
Joseph and Potiphar's Wife, William Blake, 1803 to 1805William BlakeJoseph and Potiphar's Wife1803 to 1805Yale Center for British Art
The Little Girl Lost (Plate 20), William Blake, 1789William BlakeThe Little Girl Lost (Plate 20)1789Yale Center for British Art
Moses Receiving the Law, William Blake, ca. 1780William BlakeMoses Receiving the Lawca. 1780Yale Center for British Art
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18), William Blake, 1793William Blake"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)1793Yale Center for British Art
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9), William Blake, between 1797 and 1798William Blake"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)between 1797 and 1798Yale Center for British Art
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11), William Blake, 1793William Blake"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)1793Yale Center for British Art
"Now comes the night of Enitharmons joy!..." (Plate 7), William Blake, 1794William Blake"Now comes the night of Enitharmons joy!..." (Plate 7)1794Yale Center for British Art
Elegy Written in a Country Church-Yard; Title Page, William Blake, between 1797 and 1798William BlakeElegy Written in a Country Church-Yard; Title Pagebetween 1797 and 1798Yale Center for British Art
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 16)1794Yale Center for British Art
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12), William Blake, 1793William Blake"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)1793Yale Center for British Art
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9), William Blake, 1793William Blake"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)1793Yale Center for British Art
Infant Joy (Plate 14), William Blake, 1789William BlakeInfant Joy (Plate 14)1789Yale Center for British Art
Chapter V, "The globe of life blood trembled..." (Plate 17), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 17)1794Yale Center for British Art
"To him the mighty mother did unveil Her awful face..." (Design 49), William Blake, between 1797 and 1798William Blake"To him the mighty mother did unveil Her awful face..." (Design 49)between 1797 and 1798Yale Center for British Art
Chapter IV, "From the caverns of his jointed spine..." (Plate 14), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 14)1794Yale Center for British Art
"What time the thirteen Governors that England sent convene..." (Plate 15), William Blake, 1793William Blake"What time the thirteen Governors that England sent convene..." (Plate 15)1793Yale Center for British Art
"A brace of warriors... rustling in their silks and tissues..."(Design 27), William Blake, between 1797 and 1798William Blake"A brace of warriors... rustling in their silks and tissues..."(Design 27)between 1797 and 1798Yale Center for British Art
"Oft did the harvest to their sickle yield..." (Design 109), William Blake, between 1797 and 1798William Blake"Oft did the harvest to their sickle yield..." (Design 109)between 1797 and 1798Yale Center for British Art
Sigtryg with the Silken Beard (Design 69), William Blake, between 1797 and 1798William BlakeSigtryg with the Silken Beard (Design 69)between 1797 and 1798Yale Center for British Art
"Nor fear the rocks, nor seek the shore..." (Design 101), William Blake, between 1797 and 1798William Blake"Nor fear the rocks, nor seek the shore..." (Design 101)between 1797 and 1798Yale Center for British Art
The Gambols of Ghosts According with Their Affections Previous to the Final Judgment, William Blake, 1805 to 1808William BlakeThe Gambols of Ghosts According with Their Affections Previous to the Final Judgment1805 to 1808Yale Center for British Art
"Shot from the heights of Enitharmon..." (Plate 17), William Blake, 1794William Blake"Shot from the heights of Enitharmon..." (Plate 17)1794Yale Center for British Art
Ode for Music, Performed in the Senate-House; Title Page, William Blake, between 1797 and 1798William BlakeOde for Music, Performed in the Senate-House; Title Pagebetween 1797 and 1798Yale Center for British Art
"And that toward Eden, four..." (Plate 13), William Blake, 1804 to 1820William Blake"And that toward Eden, four..." (Plate 13)1804 to 1820Yale Center for British Art
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