Untitled, Harry Bertoia, ca. 1943
Harry Bertoia, portreHarry BertoiaAmerika Birleşik Devletleri, 1915–1978

Untitled

ca. 1943 · Print · 21.6 × 27.9 cm

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New Haven, Amerika Birleşik Devletleri

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To create monotypes such as this one, Harry Bertoia placed a piece of paper atop a smooth, flat surface on which he had daubed and spread ink and applied pressure using metal styluses, balsawood sticks, wire brushes, rollers, or his hand. Depending on the degree of pressure, the paper lifted ink from the surface in varying consistencies, creating delicate, otherworldly images. Since Bertoia’s image was not permanently embedded in the matrix, each print pulled was unique. Bertoia wrote in 1980, “Drawing on the backside of the page did not permit clear visibility, a great advantage, for it necessitated inner vision to take over the function of the eye.” Like many of his colleagues, Bertoia felt that printmaking was a medium in which the unconscious could present itself.

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2007.161.2

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