The Sleeping Congregation, William Hogarth, 1736
William Hogarth, portreWilliam Hogarthİngiltere, 1697–1764

The Sleeping Congregation

1736 · Print

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Human weakness was an endless source of humor for Hogarth, and his pointed satires sought to draw lessons through full disclosure of people's failings. Here religion-a frequent target of caricature-takes a backseat to more basic needs; sleep and sex, not piety, captivate the faithful during Sunday services. A shortsighted old preacher clutches his magnifying glass as he delivers what is surely a long-winded and dull sermon. Meanwhile, the undignified congregants appear in different stages of slumber, and a portly clerk sneaks an amorous glance at the bosom of a young maiden who sleeps, her dream colored by her biblical reading on matrimony.

Hogarth was a master storyteller, incisively capturing the characters and customs of his time in amusing narratives.

Minneapolis Institute of Art

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Envanter numarası
P.12, 612

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William Hogarth: hayatındaki yeri

Tüm yaşam öyküsü
  1. 1712–1764 · Çalıştığı yer

    London

  2. 1735

    Founds the St Martin’s Lane Academy

    In 1735 Hogarth founded the St Martin’s Lane Academy in London — in essence a drawing studio that grew out of a circle of painters, draughtsmen and engravers who met at Slaughter’s coffee house on St Martin’s Lane. It became a forerunner of the Royal Academy of Arts and spread new artistic ideas in England.

  3. 25 June 1735

    “Hogarth’s Act”: copyright for engravings

    When the success of the two series produced numerous pirated copies, Hogarth lobbied Parliament for a law protecting engravers: the Engravers’ Copyright Act, known as “Hogarth’s Act”, became law on 25 June 1735 — the first copyright law to cover visual works and to recognise the authorial rights of an individual artist.

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