Jackson PollockAmerika Birleşik Devletleri, 1912–1956Number 7, 1950
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New York, Amerika Birleşik Devletleri
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Tablo hakkında
Number 7, 1950 is a Jackson Pollock painting of 1950 in the Museum of Modern Art’s New York collection. Its canvas stretches 268.6 centimetres across but is only 58.5 high. Over an orange-rust ground, Pollock threw black, white and yellow paint while moving from one end to the other. Oil, enamel and aluminum paint make up the successive layers.
Ayrıntılar
- Envanter numarası
- 719.1993
Katalogda
Kaynaklar
- Modern Sanat Müzesi
- Görsel: Modern Sanat Müzesi — © the artist or rights holder
Jackson Pollock: hayatındaki yeri
Tüm yaşam öyküsü1948
A sensational show at Betty Parsons
Pollock's 1948 exhibition at the Betty Parsons Gallery was a sensation and a financial success. He was then able to get a larger studio.
8 August 1949
Life asks if he is the greatest living US painter
On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.
1950
Hans Namuth photographs and films Pollock at work
In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.
1950
“No. 12, 1949” at the Venice Biennale
Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.
from 7 March 1952
First Paris exhibition at Paul Facchetti's
From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.
9 Nisan 1952 – 27 Temmuz 1952
Exhibition: 15 Americans
