Hendrick GoltziusHollanda, 1558–1617Mars
Görebilir miyim?
Bilinmiyor
“Mars” şu anda nerede? Koleksiyon: Rijksmuseum Amsterdam, Amsterdam. Bugün sergilenip sergilenmediği bilinmiyor.
Amsterdam, Hollanda
Sahibi biliniyor; bugün sergilenip sergilenmediği bilinmiyor.
- Kaynak
- Müze
Eser hakkında
Müze metninin dili: Felemenkçe
Het sterrenbeeld dat de oorlog begunstigd. Mars staat op een voetstuk met zijn rug naar de toeschouwer en een lans in zijn linker hand. Zijn rechter hand grijpt naar zijn zwaard. Links een vaandeldrager en een helbaardier, rechts op de voorgrond een trommelaar. In de achtergrond rechts de cavalerie. Linksboven het teken van de Kreeft en rechts boven het teken van de ram. Ontwerp voor een prent.
Rijksmuseum Amsterdam
Ayrıntılar
- Envanter numarası
- RP-T-1905-61
Neyi konu alıyor
Katalogda
Kaynaklar
- Rijksmuseum Amsterdam
- Görsel: Rijksmuseum Amsterdam — public domain
Hendrick Goltzius: hayatındaki yeri
Tüm yaşam öyküsülate 1580s
Depression and consumption
From the late 1580s he suffered from depression and consumption; his family life was unhappy.
1590
Departure for Italy
He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."
1591
Eight months in Rome
He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.
1591
Return to Haarlem with a collection of drawings
He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.
mid-1590s
Turn toward classicism
In the mid-1590s his art underwent a gradual stylistic turn toward classicism; at the same time he began executing large finished pen drawings on parchment in a calligraphic technique imitating the methods of burin engraving.
