John D. Rockefeller, Alexander Calder, c. 1928
Alexander Calder, portreAlexander CalderAmerika Birleşik Devletleri, 1898–1976

John D. Rockefeller

c. 1928 · Sculpture

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“John D. Rockefeller” şu anda nerede? Koleksiyon: Art Institute of Chicago, Şikago. Şu anda sergilenmiyor. Kontrol edildi 2 Kasım 2026.

Art Institute of Chicago

Şikago, Amerika Birleşik Devletleri

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Envanter numarası
1963.864

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Kaynaklar

Alexander Calder: hayatındaki yeri

Tüm yaşam öyküsü
  1. 1926

    To Paris as a crew member of the cargo steamer Galileo

    In July 1926 Calder sets out for Paris as a crew member of the British cargo steamship Galileo as far as Hull, continuing by train and boat. In Paris he enrols at the Académie de la Grande Chaumière and sets up a studio at 22 rue Daguerre in Montparnasse, later moving to 7 villa Brune in the same district.

  2. 1927

    His first solo exhibition, in Paris

    Calder’s first solo exhibition takes place in 1927 at the gallery of Jacques Seligmann in Paris.

  3. 1927

    Among the Parisian avant-garde

    In 1927 Calder settles in Paris and grows close to the avant-garde, including Cocteau, Man Ray, Mondrian, Desnos and Le Corbusier; he befriends Fernand Léger, Jean Arp and Marcel Duchamp, and Joan Miró becomes a friend for life.

  4. 1929

    A show of wire sculptures at Galerie Billiet

    Calder invented wire sculpture, or “drawing in space”, and in 1929 he holds in Paris, at Galerie Billiet, his first solo show of such works; the preface to the catalogue is written by the painter Jules Pascin, a friend from the Montparnasse cafés. “Hi!”, an early example of his wire sculpture, is in the collection of the Honolulu Museum of Art.

  5. June 1929

    Meets Louisa James on a steamship

    In June 1929, travelling by boat from Paris to New York, Calder meets his future wife, Louisa James (1905–1996), a daughter of Edward Holton James and grandniece of the author Henry James and the philosopher William James. They will marry in 1931 and stay together for the rest of his life; they will have two daughters.

  6. 1930

    In Mondrian’s studio: the shock of abstraction

    A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.

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Art Institute of Chicago: sergilenen eserler

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