Edgar DegasFransa, 1834–1917Interior
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Interior (French: Intérieur), also known as The Rape (French: Le Viol), is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869. Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman. The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance. Even the painting's title is uncertain; acquaintances of the artist referred to it either as Le Viol or Intérieur, and it was under the latter title that Degas exhibited it for the first time in 1905. The painting is housed in the Philadelphia Museum of Art.
Ayrıntılar
- Envanter numarası
- 1986-26-10
Katalogda
Kaynaklar
- Wikidata
- Görsel: Philadelphia Sanat Müzesi — Edgar Degas · Public domain · Wikimedia Commons
Edgar Degas: hayatındaki yeri
Tüm yaşam öyküsülate 1860s
The turn to modern life: racecourses, milliners, laundresses
By the late 1860s Degas had moved from history painting to an original observation of contemporary life: racecourse scenes let him paint horses and riders in a modern setting, and then he turned to women at work — milliners and laundresses.
late 1860s
Begins modelling in wax
Degas modelled small wax figures of dancers, bathers and jockeys for himself, in place of studies. He never worked in bronze or stone; he valued wax for its changeability, and his sculptor friend Bartholomé encouraged him.
1870
A volunteer in the war; a flaw in his eyesight
When the Franco-Prussian War broke out Degas volunteered; at the first shooting practice it turned out that he saw poorly with his right eye. It was the first sign of the macular degeneration that left him almost blind at the end of his life; he was transferred to the artillery and served there to the end of the war.
early 1870s
Meets Durand-Ruel
Degas met the dealer Durand-Ruel, later the most prominent of the trusted dealers with whom he planned his strategy at auctions.
1870s
From “de Gas” back to plain “Degas”
The archives disproved the legend of an ancient noble line: the artist's paternal ancestors were bakers, and the name “de Gas” was invented by his father, who commissioned a false genealogy. In the 1870s Edgar returned to the plain spelling, Degas.
