Maurits Cornelis EscherHollanda, 1898–1972

Castrovalva

1930 · Print

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“Castrovalva” şu anda nerede? Koleksiyon: Ulusal Sanat Galerisi, Washington. Şu anda sergilenmiyor. Kontrol edildi 2 Kasım 2026.

Ulusal Sanat Galerisi

Washington, Amerika Birleşik Devletleri

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Kontrol edildi: 5 gün önce
Bu durumun başlangıcı: 19 Ağu 2026
Kaynak: Müze

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Eser hakkında

Castrovalva is a lithograph M. C. Escher made in 1930, now at Washington’s National Gallery of Art. Pale buildings occupy a terraced hill on the left, while the ground drops into a valley on the right. Paths cut across fields and climb towards distant mountains. Dense clouds hang over this view from above, printed more than half a metre high.

Ayrıntılar

Envanter numarası: 1973.65.21

Neyi konu alıyor

Mountains City Rock Building Clouds

Katalogda

Baskılar Litografi Modernizm 20. yüzyıl Dutch

Kaynaklar

Ulusal Sanat Galerisi
Görsel: Ulusal Sanat Galerisi — © the artist or rights holder

Maurits Cornelis Escher: hayatındaki yeri

Tüm yaşam öyküsü

November 1923 – 1935
Rome and yearly journeys through Italy
From November 1923 Escher lived in Rome and until 1935 travelled each year for at least two months through Italy — Sicily, Abruzzo, Campania, and also Corsica, Malta and Tunisia; these journeys produced many landscapes whose perspective already hints at his later geometric experiments. He could not support his family on the sale of his work and lived on his father’s help.
1924–1935 · Çalıştığı yer
Rome
1929
Five exhibitions in Holland and Switzerland
By the late 1920s Escher had become known in the Netherlands — not least through the efforts of his parents, who had moved to The Hague; in 1929 he held five exhibitions in Holland and Switzerland that were well received even in the most influential Dutch newspapers. It was then that his pictures were first called mechanical and “logical”.
1930–1933
Illness, the book “Emblemata” and a Rijksmuseum purchase
In late 1930 and in 1931 Escher’s health worsened and his work slowed; G. J. Hoogewerf, director of the Dutch historical institute in Rome, suggested he write to magazines about some of his works and publish a book — the selected works appeared in 1932 as “Emblemata”. In 1933 the print room of the Rijksmuseum in Amsterdam acquired twenty-six of his works.

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