Albert Kollmann, Edvard Munch, 1900s
Edvard Munch, portreEdvard MunchNorveç, 1863–1944

Albert Kollmann

1900s · Painting · 81.5 × 66 cm

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Edvard Munch painted Albert Kollmann in the 1900s; the oil portrait belongs to the Kunsthaus Zürich in Zurich. Kollmann was a Hamburg merchant who supported Munch as well as Max Liebermann and Ernst Barlach. The commission was intended to provide immediate financial help. The canvas measures 81.5 by 66 centimetres. Curt Glaser later owned the work, which entered the collection in 1943.

Ayrıntılar

Envanter numarası
2620

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Kaynaklar

  • Wikidata
  • Görsel: Zürih Sanatevi — Edvard Munch · Public domain · Wikimedia Commons

Edvard Munch: hayatındaki yeri

Tüm yaşam öyküsü
  1. 1898

    Beginning of the Affair with Tulla Larsen

    An affair began with Tulla (Mathilde) Larsen, a wealthy young Norwegian woman. Initially warm, the relationship in time began to weigh on Munch because of Tulla's ardor and possessiveness.

  2. 1902

    The Revolver Incident

    After Tulla Larsen's suicide attempt and a mysterious quarrel, Munch shot himself through the hand and was hospitalized. The relationship with Tulla ended, but the artist's mental wellbeing was badly shaken.

  3. 1902

    "The Frieze of Life" Complete at the Berlin Secession

    "The Frieze of Life" was exhibited for the first time in the form the artist had conceived, at the gallery of the Berlin Secession; Munch wrote of the show's "symphonic effect." Here he gained long-standing patrons, Albert Kollmann and Max Linde.

  4. 1903

    Affair with Eva Mudocci

    An affair began with the cellist Evangeline Muddock, who performed under the stage name Eva Mudocci; the relationship was clouded by Munch's increasingly troubled behavior, and they parted.

  5. autumn 1908

    Nervous Breakdown and Dr. Jacobson's Clinic

    Amid heavy drinking, hallucinations, and persecution mania, Munch entered Daniel Jacobson's clinic in Copenhagen, where he spent about eight months. The treatment stabilized his condition; after his return to Norway in 1909 his painting became lighter and more optimistic.

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