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Rokokon, 1720–1780

122 071 verk från 388 museer2 231 visas nuRensa

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Seated figure with head turned to the left and right arm raised, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloSeated figure with head turned to the left and right arm raised, seen from belowca. 1740–50Yale University Art Gallery
Death Giving Audience, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloDeath Giving Audience, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing Woman and Seated Man Before an Obelisk, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloStanding Woman and Seated Man Before an Obelisk, from the series Vari Capricci1739–49Yale University Art Gallery
A Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Nymph with a Small Satyr and Two Goats, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Woman Kneeling and Holding a Dish, from the series Scherzi, Giovanni Battista Tiepolo, 1750–60Giovanni Battista TiepoloWoman Kneeling and Holding a Dish, from the series Scherzi1750–60Yale University Art Gallery
Reclining male nude with right hand resting on a stone tablet, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloReclining male nude with right hand resting on a stone tablet, seen from belowca. 1740–50Yale University Art Gallery
Capricci, Giovanni Battista Tiepolo, 1749Giovanni Battista TiepoloCapricci1749Galleria Sabauda
Madonna and Child, Giovanni Battista Tiepolo, 1730Giovanni Battista TiepoloMadonna and Child1730Detroit Institute of Arts
Woman with a Mandolin, Giovanni Battista Tiepolo, 1750sGiovanni Battista TiepoloWoman with a Mandolin1750sDetroit Institute of Arts
Saint Joseph and the Christ Child, Giovanni Battista Tiepolo, 1767Giovanni Battista TiepoloSaint Joseph and the Christ Child1767Detroit Institute of Arts
Caricature of a Man in a Long Cloak, Standing in Profile to the Left, Giovanni Battista Tiepolo, 1760 (?)Giovanni Battista TiepoloCaricature of a Man in a Long Cloak, Standing in Profile to the Left1760 (?)Metropolitan Museum of Art
Head of a Bishop, Giovanni Battista Tiepolo, ca. 1742–57Giovanni Battista TiepoloHead of a Bishopca. 1742–57Metropolitan Museum of Art
Apotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Venice, Giovanni Battista Tiepolo, ca. 1758Giovanni Battista TiepoloApotheosis of an Aged Warrior, for a ceiling in the Ca' Rezzonico, Veniceca. 1758Yale University Art Gallery
Young Man Seated and Leaning on an Urn, from the series Vari Capricci, Giovanni Battista Tiepolo, 1740–50Giovanni Battista TiepoloYoung Man Seated and Leaning on an Urn, from the series Vari Capricci1740–50Yale University Art Gallery
Seated Youth Leaning against an Urn, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloSeated Youth Leaning against an Urn, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Three Soldiers and a Boy, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThree Soldiers and a Boy, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Male figure carrying a tray with fowl, seen from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloMale figure carrying a tray with fowl, seen from belowca. 1740–50Yale University Art Gallery
Il trasporto della Santa Casa di Loreto, Giovanni Battista Tiepolo, 1743Giovanni Battista TiepoloIl trasporto della Santa Casa di Loreto1743Gallerie dell'Accademia
La scoperta della vera Croce e sant'Elena, Giovanni Battista Tiepolo, 1740Giovanni Battista TiepoloLa scoperta della vera Croce e sant'Elena1740Gallerie dell'Accademia
Saint James Matamoros, Giovanni Battista Tiepolo, 1740sGiovanni Battista TiepoloSaint James Matamoros1740sMuseet för sköna konster, Budapest
The Virgin with Six Saints, Giovanni Battista Tiepolo, 1750sGiovanni Battista TiepoloThe Virgin with Six Saints1750sMuseet för sköna konster, Budapest
A River God and Other Figures on a Parapet, Giovanni Battista Tiepolo, ca. 1740Giovanni Battista TiepoloA River God and Other Figures on a Parapetca. 1740Metropolitan Museum of Art
Magician pointing out a burning head to two youths, from the Scherzi, Giovanni Battista Tiepolo, ca. 1743–50Giovanni Battista TiepoloMagician pointing out a burning head to two youths, from the Scherzica. 1743–50Metropolitan Museum of Art
Soldiers Around a Monument, Giovanni Battista Tiepolo, 1743–45Giovanni Battista TiepoloSoldiers Around a Monument1743–45Metropolitan Museum of Art
Standing female figure seen from the back and from below, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding female figure seen from the back and from belowca. 1740–50Yale University Art Gallery
Punchinello talking to the two magicians, from the series Scherzi di Fantasia, Giovanni Battista Tiepolo, ca. 1757Giovanni Battista TiepoloPunchinello talking to the two magicians, from the series Scherzi di Fantasiaca. 1757Yale University Art Gallery
Adoration of the Magi, Giovanni Battista Tiepolo, 1753–57Giovanni Battista TiepoloAdoration of the Magi1753–57Yale University Art Gallery
Two Soldiers and Two Women, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloTwo Soldiers and Two Women, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Young Soldier with Philosopher and Seated Woman, from the series Vari Capricci, Giovanni Battista Tiepolo, 1739–49Giovanni Battista TiepoloYoung Soldier with Philosopher and Seated Woman, from the series Vari Capricci1739–49Yale University Art Gallery
L'incontro di Anzia e Abrocome alle feste di Diana, Giovanni Battista Tiepolo, 1744Giovanni Battista TiepoloL'incontro di Anzia e Abrocome alle feste di Diana1744Gallerie dell'Accademia
Adorazione dei Magi, Giovanni Battista Tiepolo, secondo quarto sec. XVIIIGiovanni Battista TiepoloAdorazione dei Magisecondo quarto sec. XVIIIGalleria Sabauda
The Last Supper, Giovanni Battista Tiepolo, c. 1750Giovanni Battista TiepoloThe Last Supperc. 1750National Museum in Warsaw
The Immaculate Conception, Giovanni Battista Tiepolo, 1733Giovanni Battista TiepoloThe Immaculate Conception1733Detroit Institute of Arts
The theological virtues, Giovanni Battista Tiepolo, c. 1755Giovanni Battista TiepoloThe theological virtuesc. 1755Kungliga museet för sköna konster i Belgien
Caricature of a Fat Man, Seen From Behind, Giovanni Battista Tiepolo, 1760 (?)Giovanni Battista TiepoloCaricature of a Fat Man, Seen From Behind1760 (?)Metropolitan Museum of Art
Caricature of a Man Seen from Behind, Giovanni Battista Tiepolo, 1760 (?)Giovanni Battista TiepoloCaricature of a Man Seen from Behind1760 (?)Metropolitan Museum of Art
A Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Arms in Chains and Four Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Astrologer and the Young Soldier, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Astrologer and the Young Soldier, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing Philosopher and Two Other Figures, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloStanding Philosopher and Two Other Figures, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
The Rider Standing by His Horse, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloThe Rider Standing by His Horse, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
A Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios), Giovanni Battista Tiepolo, 1740–42, printed 1785 (second edition)Giovanni Battista TiepoloA Woman with Her Hands on a Vase, a Soldier, and a Slave, from Vari capricci (Various Capriccios)1740–42, printed 1785 (second edition)Yale University Art Gallery
Standing male figure seen from behind, Giovanni Battista Tiepolo, ca. 1740–50Giovanni Battista TiepoloStanding male figure seen from behindca. 1740–50Yale University Art Gallery
Santi Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia, Giovanni Battista Tiepolo, 1752–1758Giovanni Battista TiepoloSanti Fedele da Sigmaringen e Giuseppe da Leonessa che calpestano l'Eresia1752–1758Galleria nazionale di Parma
Adoration of the Kings, Giovanni Battista Tiepolo, 1753Giovanni Battista TiepoloAdoration of the Kings1753Alte Pinakothek
Pope St Clement Adoring the Trinity, Giovanni Battista Tiepolo, 1730sGiovanni Battista TiepoloPope St Clement Adoring the Trinity1730sAlte Pinakothek
The Family of the oriental Peasant, from the Scherzi, Giovanni Battista Tiepolo, ca. 1740Giovanni Battista TiepoloThe Family of the oriental Peasant, from the Scherzica. 1740Metropolitan Museum of Art
Bacchant, Satyr, and Fauness, from the Scherzi, Giovanni Battista Tiepolo, ca. 1740Giovanni Battista TiepoloBacchant, Satyr, and Fauness, from the Scherzica. 1740Metropolitan Museum of Art
Allegorical Figures Representing Virtue and Abundance, Giovanni Battista Tiepolo, 1760Giovanni Battista TiepoloAllegorical Figures Representing Virtue and Abundance1760Metropolitan Museum of Art
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