Odalisque, Jules Joseph Lefebvre, 1874
Jules Joseph Lefebvre, porträttJules Joseph LefebvreFrankrike, 1836–1911

Odalisque

1874 · Painting

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Var finns ”Odalisque” nu? Art Institute of Chicago, Sal 223, Chicago. Ja, visas nu. Kontrollerat 9 november 2026.

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A nude woman reclines among fruit, fabrics and luxury objects in Jules Joseph Lefebvre's Odalisque (1874), in the Art Institute of Chicago, Chicago. Her light body contrasts with the dim room. The title and furnishings suggest a courtesan in an imagined Middle Eastern harem. For European artists of the nineteenth century, painting the nude was central to academic training. The harem, historically a women's space closed to men, supplied a story for such images and appealed to European sexual and colonial fantasies. On view in Gallery 223.

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A luminous nude woman reclines in a dimly lit interior filled with fruits, textiles, and other luxury goods. To European audiences, this collection of objects would have broadly evoked the Middle East. The painting’s setting and title suggest that she is a courtesan in a harem. For 19th-century European artists, depicting the nude female form was a fundamental component of academic training and a benchmark of artistic excellence. The imagined harem setting—a space historically used as women’s quarters and forbidden to men—provided narrative context for the nude and appealed to the sexual and colonialist fantasies of European audiences.

Art Institute of ChicagoCC BY 4.0

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1983.381

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I samma sal · Gallery 223, Art Institute of Chicago

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