Interior, Gwen John, 1915
Gwen John, porträttGwen JohnStorbritannien, 1876–1939

Interior

1915 · Painting

Kan jag se verket?

Ja, visas nu

Var finns ”Interior” nu? Cleveland Museum of Art, 223 20th Century Avant-Garde, Cleveland. Ja, visas nu. Kontrollerat 9 november 2026.

Cleveland Museum of Art

Cleveland, USA

Sal223 20th Century Avant-Garde

Visas för allmänheten.

Kontrollerat
Denna status sedan
Källa
Museet
Bädda in

Om målningen

Gwen John painted a table with a teapot and cups in Interior, dated 1915 and now in the Cleveland Museum of Art, Cleveland. Its small scale and muted colors recur throughout her work. She painted slowly, completing fewer than two hundred pictures in her lifetime, and told a friend of her desire for an inward life. John returned to this subject four times. The other versions are in the National Museum of Wales and two Yale collections, the Center for British Art and the University Art Gallery. On view in gallery 223.

Med museets egna ord

Gwen John worked slowly and meticulously, producing fewer than 200 paintings during her lifetime. Like this quiet interior with a table, teapot, and cups, her works were invariably small in size, muted in palette, and restrained in mood. About her life and art, she wrote to a friend, “I may never have anything to express, except this desire for a more interior life.” This is one of a series of four paintings of the same subject; the other versions are in the collections of the National Museum of Wales, the Yale Center for British Art, and the Yale University Art Gallery.

Cleveland Museum of Art

Uppgifter

Inventarienummer
1982.6

I katalogen

Källor

I Gwen Johns liv

Hela livet
  1. 1904–1914

    Ten years of devotion to Rodin: thousands of letters

    Her devotion to Rodin, the most famous artist of his time and 35 years older than her, continued unabated for the next ten years, as documented in her thousands of fervent letters to him. Given to fierce attachments to both men and women that were sometimes disturbing to them, she was eventually kept at a distance by Rodin, despite his genuine feeling for her, through the use of concierges and secretaries.

  2. c. 1913

    Received into the Catholic Church

    As her affair with Rodin drew to a close she sought comfort in Roman Catholicism and around 1913 was received into the Church; her notebooks of the period include meditations and prayers, and her desire to be “God’s little artist” and to “become a saint”.

  3. 17 februari 1913 – 19 maj 1913

    Exhibition: Armory Show

Alla verk

I samma sal · 223 20th Century Avant-Garde, Cleveland Museum of Art

Museets sida