George BellowsUSA, 1882–1925In an Elevator
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Elevators, in 1916 as today, often inspire awkward social interactions. George Bellows himself described this print as a “study of the relation of a nun to society.” The Old World European values and modesty of the nun contrast to the younger, more boisterous passengers, who give wide berth to her dominating physical and moral presence.
Cleveland Museum of Art
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- Inventarienummer
- 1936.606
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- Cleveland Museum of Art
- Bild: Cleveland Museum of Art — Museum open access
I George Bellowss liv
Hela livet23 april 1915
Daughter born: Jean Bellows
1916
A lithography press in his studio
He installs a lithography press in his studio and makes a significant contribution to establishing lithography as a fine art in the United States.
1918
The quarrel with Pennell: who may paint a war
The artist Joseph Pennell argues that, since Bellows did not witness the events he painted, he has no right to paint them; Bellows replies that he had not known Leonardo da Vinci “had a ticket to paint the Last Supper”.
