ART WIKI37 865 в залах
КартаКоллекцияХудожникиМузеиВыставкиЖурнал
Войти

ART WIKI

Где увидеть картины и часы работы музея.

Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Йельский центр британского искусства, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Смитсоновский музей дизайна Купер Хьюитт, Третьяковская галерея, Художественная галерея Йельского университета, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (44 музея), Парижские музеи (12 музеев), Жоконда, база музеев Министерства культуры Франции (495 музеев) и Генеральный каталог культурного наследия Министерства культуры Италии (25 музеев). Изображения принадлежат правообладателям.

Разделы

  • Карта
  • Поиск
  • Коллекция
  • Шедевры
  • Украденное и утраченное
  • Статус картины на вашем сайте
  • Сейчас в залах
  • Художники

Ещё

  • Музеи и галереи
  • Выставки
  • Журнал
  • Откуда данные
  • Конфиденциальность и куки
  • О проекте
  • Условия использования
ГлавнаяКартаКаталог

Каталог

Послевоенное искусство, 1945–1975

223 220 работ из 458 музеев1 980 сейчас в залахСбросить

/
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергMe asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 19611961, отпечаток позднееНациональная галерея искусства
Без названия, Марк Ротко, 1967Марк РоткоБез названия1967Национальная галерея искусства
Gary Snyder, his small house-garden on Nishinomiya-cho, Kita-ku section near Dai-tokuji temple, in monk’s travelling outfit, wearing Unsui’s indigo-dyed cotton training robe (koromo), square handsewn Rakusu cloth hung round his neck, thick belt to guard zazen sitting posture & belly warmth, and dark-browned Ajirokasa basket-hat stained with juice of green persimmons. Kyoto, Japan July 1963., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергGary Snyder, his small house-garden on Nishinomiya-cho, Kita-ku section near Dai-tokuji temple, in monk’s travelling outfit, wearing Unsui’s indigo-dyed cotton training robe (koromo), square handsewn Rakusu cloth hung round his neck, thick belt to guard zazen sitting posture & belly warmth, and dark-browned Ajirokasa basket-hat stained with juice of green persimmons. Kyoto, Japan July 1963.1963, отпечаток позднееНациональная галерея искусства
Michael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961., Аллен Гинзберг, 1961, отпечаток 1985Аллен ГинзбергMichael Portman, ill-starred English aristocrat, then staying next door room to William Burroughs at Villa Muniria studying Alpha rhythms, stroboscope “Dream-Machine” illusions and letters with Burroughs and Brion Gysin. Dorian Gray youth, he died in mid-age, alcohol and other dissipations, Tangier 1961.1961, отпечаток 1985Национальная галерея искусства
Mock machete battle with state agricultural advisor, American girl passing through watching, elder Antonio the family retainer & nephew, Finca Tacalapan de San Leandro a day’s travel by river & horseback from Salto de Agua Railroad stops into edge of Petén Rainforest to old family land of Karena Shields (first Jane in 30s Tarzan movies) who hosted me February thru May, we’d met at Palenque old Mayan ruins nearby, & lived in open thatchroof shelter, slept in Mosquito-netted hammocks, I wrote “Siesta in Xbalba”, Chiapas Mexico 1954., Аллен Гинзберг, 1954, отпечаток 1995Аллен ГинзбергMock machete battle with state agricultural advisor, American girl passing through watching, elder Antonio the family retainer & nephew, Finca Tacalapan de San Leandro a day’s travel by river & horseback from Salto de Agua Railroad stops into edge of Petén Rainforest to old family land of Karena Shields (first Jane in 30s Tarzan movies) who hosted me February thru May, we’d met at Palenque old Mayan ruins nearby, & lived in open thatchroof shelter, slept in Mosquito-netted hammocks, I wrote “Siesta in Xbalba”, Chiapas Mexico 1954.1954, отпечаток 1995Национальная галерея искусства
“Peter lying dressed up in pants on mattress picking his red moustache, with long hollywood Christlike hair & Christ’s small beard stubble — ” (_Indian Journals_, p. 132) Orlovsky & I spent half year in this room overlooking Dasasumedh Ghat’s bathers pilgrims & beggars a few steps from the Ganges, french window slats overlooking food market one side, pilgrim alley the other. We cooked on small gas camper stove, kept records, wrote letters, visited temples, burning ghats, read Ramayana, mixed with poets
& sanskrit Achkans in small restaurant chai houses, visited shenai master Bichmulla Khan, Peter took singing lessons from one Rabmdranath Pal, & we sought out swamis & holy men to talk with. Benares, December 19, 1962., Аллен Гинзберг, 1962, отпечаток позднееАллен Гинзберг“Peter lying dressed up in pants on mattress picking his red moustache, with long hollywood Christlike hair & Christ’s small beard stubble — ” (_Indian Journals_, p. 132) Orlovsky & I spent half year in this room overlooking Dasasumedh Ghat’s bathers pilgrims & beggars a few steps from the Ganges, french window slats overlooking food market one side, pilgrim alley the other. We cooked on small gas camper stove, kept records, wrote letters, visited temples, burning ghats, read Ramayana, mixed with poets & sanskrit Achkans in small restaurant chai houses, visited shenai master Bichmulla Khan, Peter took singing lessons from one Rabmdranath Pal, & we sought out swamis & holy men to talk with. Benares, December 19, 1962.1962, отпечаток позднееНациональная галерея искусства
Herbert E. Huncke, author _The Evening Sun Turned Crimson_, who introduced "hip" vocabulary & attitudes to writers later labeled "Beat", his room Hotel Elite, N.E. corner 8th Avenue and 51'st street diagonally opposite Madison Square Garden. Rare glimpse of Huncke, then hustling bread on Times Square, strung-out - he fixed at the sink. Saw him infrequently that season, though we'd known each other well since 1945, found his room to say good bye, leaving New York to hitch south, Mexico and Bay area, here just before Christmas, Manhattan 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергHerbert E. Huncke, author _The Evening Sun Turned Crimson_, who introduced "hip" vocabulary & attitudes to writers later labeled "Beat", his room Hotel Elite, N.E. corner 8th Avenue and 51'st street diagonally opposite Madison Square Garden. Rare glimpse of Huncke, then hustling bread on Times Square, strung-out - he fixed at the sink. Saw him infrequently that season, though we'd known each other well since 1945, found his room to say good bye, leaving New York to hitch south, Mexico and Bay area, here just before Christmas, Manhattan 1953.1953, отпечаток позднееНациональная галерея искусства
Lucien Carr, his apartment above Sheridan Square, working then for U.P.I., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергLucien Carr, his apartment above Sheridan Square, working then for U.P.I.1953, отпечаток позднееНациональная галерея искусства
We went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергWe went uptown to look at Mayan Codices at Museum of Natural History & Metropolitan Museum of Art to view Carlo Crivelli’s green-hued Christ-face with crown of thorns stuck symmetric in his skull — here Egyptian wing William Burroughs with a brother Sphinx, Fall 1953 Manhattan.1953, отпечаток позднееНациональная галерея искусства
Без названия, Марк Ротко, 1948Марк РоткоБез названия1948Национальная галерея искусства
Без названия, Марк Ротко, 1968Марк РоткоБез названия1968Национальная галерея искусства
No. 10, Марк Ротко, 1949Марк РоткоNo. 101949Национальная галерея искусства
Без названия, Марк Ротко, 1949Марк РоткоБез названия1949Национальная галерея искусства
Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., Аллен Гинзберг, 1953, отпечаток 1995Аллен ГинзбергMyself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953.1953, отпечаток 1995Национальная галерея искусства
Charles Olson 1963 Vancouver. Warren Tallman's house. Bobbie. Robert Creeley Working Proof., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергCharles Olson 1963 Vancouver. Warren Tallman's house. Bobbie. Robert Creeley Working Proof.1963, отпечаток позднееНациональная галерея искусства
Shambhu Bharti Baba, traditionally naked Naga Sadhu in sandy basement porch-shelter under Pilgrims' Guest-house above ancient Manikarnika Ghat burning-grounds at Ganges waterside in Benares, oldest cintinuously inhabited city on Earth. During six-months stay a few alleys down-river, I visited occasionally to smoke chilams, clay pipes as at edge of fire-pit, packed with ganja-tobacco mix & share Baba's silence vow along with small circle of his friends, devotees, local schoolteachers & clerks. One morning I brought camera, he invited me to take pictures rising to disrobe loin-cloth & G-string, stood nude beside Naga spear, brass waterpot & Shiva Trident. See _Indian Journals_, 1970, p.130. December 18, 1962, 10:30 AM., Аллен Гинзберг, 1962, отпечаток 1995Аллен ГинзбергShambhu Bharti Baba, traditionally naked Naga Sadhu in sandy basement porch-shelter under Pilgrims' Guest-house above ancient Manikarnika Ghat burning-grounds at Ganges waterside in Benares, oldest cintinuously inhabited city on Earth. During six-months stay a few alleys down-river, I visited occasionally to smoke chilams, clay pipes as at edge of fire-pit, packed with ganja-tobacco mix & share Baba's silence vow along with small circle of his friends, devotees, local schoolteachers & clerks. One morning I brought camera, he invited me to take pictures rising to disrobe loin-cloth & G-string, stood nude beside Naga spear, brass waterpot & Shiva Trident. See _Indian Journals_, 1970, p.130. December 18, 1962, 10:30 AM.1962, отпечаток 1995Национальная галерея искусства
Gregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957., Аллен Гинзберг, 1957, отпечаток 1995Аллен ГинзбергGregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957.1957, отпечаток 1995Национальная галерея искусства
William S. Burroughs sitting up in back bedroom waiting for my company..., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергWilliam S. Burroughs sitting up in back bedroom waiting for my company...1953, отпечаток позднееНациональная галерея искусства
Без названия (Study for Seagram Murals), Марк Ротко, 1958/1959Марк РоткоБез названия (Study for Seagram Murals)1958/1959Национальная галерея искусства
No. 1, Марк Ротко, 1961Марк РоткоNo. 11961Национальная галерея искусства
Totemic Sign / Totem Sign, Марк Ротко, ок. 1946Марк РоткоTotemic Sign / Totem Signок. 1946Национальная галерея искусства
Без названия, Марк Ротко, 1948Марк РоткоБез названия1948Национальная галерея искусства
Aquatic Drama, Марк Ротко, 1946Марк РоткоAquatic Drama1946Национальная галерея искусства
The Source, Марк Ротко, 1945/1946Марк РоткоThe Source1945/1946Национальная галерея искусства
A friend's house in M'raksh! Paul Bowles rear, Arab fellow and host who shared rent with Paul. 1961, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергA friend's house in M'raksh! Paul Bowles rear, Arab fellow and host who shared rent with Paul. 19611961, отпечаток позднееНациональная галерея искусства
Allen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергAllen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953.1953, отпечаток позднееНациональная галерея искусства
Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., Аллен Гинзберг, 1948/1954/1956, отпечаток 1990Аллен ГинзбергNeal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip.1948/1954/1956, отпечаток 1990Национальная галерея искусства
Philip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергPhilip Whalen visiting Lloyd Reynolds, his house Reed College- Lloyd had taught Snyder Welch & Whalen their Italic Calligraphy & Challenged McCarthyism & brought W.C. Williams to read, early 1950's. Here late July 1963, Portland Oregon.1963, отпечаток позднееНациональная галерея искусства
Без названия, Марк Ротко, 1947Марк РоткоБез названия1947Национальная галерея искусства
Без названия, Марк Ротко, 1945Марк РоткоБез названия1945Национальная галерея искусства
From roof of Brahmin's house wherein we'd rented Third floor room six months December to May 1963, could see past temple mandir tops across Ganges river to other shore. Our balconies hung over vegetable-meat market one side, other side overlooked sacred street down to Dasasumedh [or Dasaswamedh?] Ghat bathing steps peopled by Pilgrims beggars & cows; monkeys visited and snatched our bananas, Peter Orlovsky held my Retina, Benares India Spring 1963., Аллен Гинзберг, 1963, отпечаток 1989Аллен ГинзбергFrom roof of Brahmin's house wherein we'd rented Third floor room six months December to May 1963, could see past temple mandir tops across Ganges river to other shore. Our balconies hung over vegetable-meat market one side, other side overlooked sacred street down to Dasasumedh [or Dasaswamedh?] Ghat bathing steps peopled by Pilgrims beggars & cows; monkeys visited and snatched our bananas, Peter Orlovsky held my Retina, Benares India Spring 1963.1963, отпечаток 1989Национальная галерея искусства
W.S. Burroughs in his room Villa Mouneria Tangier, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергW.S. Burroughs in his room Villa Mouneria Tangier1961, отпечаток позднееНациональная галерея искусства
Dead creature, Xauen, Morocco 1957., Аллен Гинзберг, 1957, отпечаток позднееАллен ГинзбергDead creature, Xauen, Morocco 1957.1957, отпечаток позднееНациональная галерея искусства
No. 17, Марк Ротко, 1958Марк РоткоNo. 171958Национальная галерея искусства
Без названия, Марк Ротко, 1945/1946Марк РоткоБез названия1945/1946Национальная галерея искусства
Без названия, Марк Ротко, 1969Марк РоткоБез названия1969Зал 615A · Восточное здание, башняНациональная галерея искусства
Jack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his _Doctor Sax_ & _The Subterraneans_, Burroughs was in town, up from Mexico, New York, Fall 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергJack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his _Doctor Sax_ & _The Subterraneans_, Burroughs was in town, up from Mexico, New York, Fall 1953.1953, отпечаток позднееНациональная галерея искусства
Lafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in _Desolation Angels_ —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956., Аллен Гинзберг, 1956, отпечаток позднееАллен ГинзбергLafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in _Desolation Angels_ —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956.1956, отпечаток позднееНациональная галерея искусства
Без названия, Марк Ротко, 1969Марк РоткоБез названия1969Национальная галерея искусства
1969, Марк Ротко, 1969Марк Ротко19691969Национальная галерея искусства
Strong Gregory Corso Tangier 1961, The loner., Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергStrong Gregory Corso Tangier 1961, The loner.1961, отпечаток позднееНациональная галерея искусства
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергG. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 19611961, отпечаток позднееНациональная галерея искусства
Jack Kerouac the last time he visited my apartment 704 East 5th Street, Lower East Side. Gregory Corso was with him, he looked just like his late Father (described in _The Town and the City_  his first novel) - corpulent red faced W. C. Fields shuddering with mortal horror, grimacing on D.M.T. psychedelic I'd brought back from Timothy Leary's Millbrook Commune, Fall 1964., Аллен Гинзберг, 1964, отпечаток 1990Аллен ГинзбергJack Kerouac the last time he visited my apartment 704 East 5th Street, Lower East Side. Gregory Corso was with him, he looked just like his late Father (described in _The Town and the City_ his first novel) - corpulent red faced W. C. Fields shuddering with mortal horror, grimacing on D.M.T. psychedelic I'd brought back from Timothy Leary's Millbrook Commune, Fall 1964.1964, отпечаток 1990Национальная галерея искусства
Tangier 1961 Lance Hendrickson showed up, a beautiful strange face, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергTangier 1961 Lance Hendrickson showed up, a beautiful strange face1961, отпечаток позднееНациональная галерея искусства
Eugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house, Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергEugene Brooks at Seder Table, Patterson, New Jersey E. 34th St. our house1953, отпечаток позднееНациональная галерея искусства
William S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961., Аллен Гинзберг, 1961, отпечаток 1990Аллен ГинзбергWilliam S. Burroughs, time of intense cut-up prose experiments and suspicions of all "apparent sensory phenomena." Tangier 1961.1961, отпечаток 1990Национальная галерея искусства
Без названия (Brown and gray), Марк Ротко, 1969Марк РоткоБез названия (Brown and gray)1969Национальная галерея искусства
Без названия, Марк Ротко, 1957Марк РоткоБез названия1957Национальная галерея искусства
53