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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Йельский центр британского искусства, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Смитсоновский музей дизайна Купер Хьюитт, Третьяковская галерея, Художественная галерея Йельского университета, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (44 музея), Парижские музеи (12 музеев), Жоконда, база музеев Министерства культуры Франции (495 музеев) и Генеральный каталог культурного наследия Министерства культуры Италии (25 музеев). Изображения принадлежат правообладателям.

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Послевоенное искусство, 1945–1975

223 220 работ из 458 музеев1 980 сейчас в залахСбросить

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Hugh MacDiarmid on his 81'st Birthday at gate of his cottage, Biggar, Scotland summer 1973., Аллен Гинзберг, 1973, отпечаток позднееАллен ГинзбергHugh MacDiarmid on his 81'st Birthday at gate of his cottage, Biggar, Scotland summer 1973.1973, отпечаток позднееНациональная галерея искусства
Jack Kerouac, Villa Mouneria Garden Wall, Tangier—he’d preceded me & Peter O. on Yugoslav freighter by a month to help Type Burroughs’ Interzone “word-board” manuscript assembled for Naked Lunch. Jack left for Paris a week and a half later, On the Road published earlier that year—he’d already written twelve books, Visions, Dreams, Blues, in the “Legend of Duluoz” series, up to Desolation Angels Part I, late 1957., Аллен Гинзберг, 1957, отпечаток позднееАллен ГинзбергJack Kerouac, Villa Mouneria Garden Wall, Tangier—he’d preceded me & Peter O. on Yugoslav freighter by a month to help Type Burroughs’ Interzone “word-board” manuscript assembled for Naked Lunch. Jack left for Paris a week and a half later, On the Road published earlier that year—he’d already written twelve books, Visions, Dreams, Blues, in the “Legend of Duluoz” series, up to Desolation Angels Part I, late 1957.1957, отпечаток позднееНациональная галерея искусства
Jack Kerouac looking out window Apartment 16, 206 East 7th Street Lower East Side Manhattan, view from fire-escape, books on the sill, broom handle and old tenement wallpaper in afternoon sun, WM. Burroughs was staying at my place then, Fall 1953., Аллен Гинзберг, 1953, отпечаток 1989Аллен ГинзбергJack Kerouac looking out window Apartment 16, 206 East 7th Street Lower East Side Manhattan, view from fire-escape, books on the sill, broom handle and old tenement wallpaper in afternoon sun, WM. Burroughs was staying at my place then, Fall 1953.1953, отпечаток 1989Национальная галерея искусства
Poet Philip Whalen, Jerry Heiserman (later Hassan, Sufi) & student Thomas Jackrell (who'd writ interesting document-poem on Campbell's Soup) en route thru Portland Oregon returning from Vancouver Poetry Conference (with Olson Creeley Duncan Levertov) back to Bay Area, July 1963. Jackrell had a camper truck, we stopped to visit Lloyd Reynolds at Reed College, drink Buttermilk downtown., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергPoet Philip Whalen, Jerry Heiserman (later Hassan, Sufi) & student Thomas Jackrell (who'd writ interesting document-poem on Campbell's Soup) en route thru Portland Oregon returning from Vancouver Poetry Conference (with Olson Creeley Duncan Levertov) back to Bay Area, July 1963. Jackrell had a camper truck, we stopped to visit Lloyd Reynolds at Reed College, drink Buttermilk downtown.1963, отпечаток позднееНациональная галерея искусства
William S. Burroughs looking serious, sad lover’s eyes, afternoon light in window, cover of just-published _Junkie_ propped in shadow above right shoulder, Japanese kite against Lower East Side hot water flat’s old wallpaper. He’d come up from South America & Mexico to stay with me editing Yage Letters and Queer manuscripts. New York Fall 1953., Аллен Гинзберг, 1953, отпечаток 1995Аллен ГинзбергWilliam S. Burroughs looking serious, sad lover’s eyes, afternoon light in window, cover of just-published _Junkie_ propped in shadow above right shoulder, Japanese kite against Lower East Side hot water flat’s old wallpaper. He’d come up from South America & Mexico to stay with me editing Yage Letters and Queer manuscripts. New York Fall 1953.1953, отпечаток 1995Национальная галерея искусства
Allen Ginsberg (b. 1926-) & Gregory Corso (b. 1930-), modest & immodest self-portraits, we weren't lovers but poets & jackanapes smiling and serious in turn, candid facing Kodak-Retina lens delayed-action snap, camera propped on chair other end of small white-washed room top-floor little Hotel Armor a block downhill Calle Cook from 1 Rue Magellan Burroughs' Villa Muneria, Tangier, Morocco August 1961, Аллен Гинзберг, 1961, отпечаток 1995Аллен ГинзбергAllen Ginsberg (b. 1926-) & Gregory Corso (b. 1930-), modest & immodest self-portraits, we weren't lovers but poets & jackanapes smiling and serious in turn, candid facing Kodak-Retina lens delayed-action snap, camera propped on chair other end of small white-washed room top-floor little Hotel Armor a block downhill Calle Cook from 1 Rue Magellan Burroughs' Villa Muneria, Tangier, Morocco August 19611961, отпечаток 1995Национальная галерея искусства
Louis Ginsberg in Patterson, N.J, Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергLouis Ginsberg in Patterson, N.J1963, отпечаток позднееНациональная галерея искусства
William Burroughs on roof 206 E. 7 Street N.Y. 1953, with view of Tompkins Park, Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергWilliam Burroughs on roof 206 E. 7 Street N.Y. 1953, with view of Tompkins Park1953, отпечаток позднееНациональная галерея искусства
“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Аллен Гинзберг, 1954, отпечаток позднееАллен Гинзберг“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954.1954, отпечаток позднееНациональная галерея искусства
Gregory Corso, his attic room 9 Rue Gît-le-Coeur, wooden angel hung from wall right, window looked on courtyard and across Seine halfblock away to spires of St. Chapelle on Ile St. Louis. Gregory’s _Gasoline_ was ready at City Lights, in attic he prepared “Marriage,” “Power,” “Army,” “Police,” “Hair” and “Bomb” for _Happy Birthday of Death book_. Henri Michaux visited, liked Corso’s “mad children of soda-caps” phrasing Burroughs came from Tanger to live one flight below, shaping _Naked Lunch_ manuscript, Peter Orlovsky and I had window on street two flights downstairs, room with two-burner gas stove, we ate together often, rent $30 a month. I’d begun Kaddish litany, Peter his “Frist Poem.”, Аллен Гинзберг, 1957, отпечаток позднееАллен ГинзбергGregory Corso, his attic room 9 Rue Gît-le-Coeur, wooden angel hung from wall right, window looked on courtyard and across Seine halfblock away to spires of St. Chapelle on Ile St. Louis. Gregory’s _Gasoline_ was ready at City Lights, in attic he prepared “Marriage,” “Power,” “Army,” “Police,” “Hair” and “Bomb” for _Happy Birthday of Death book_. Henri Michaux visited, liked Corso’s “mad children of soda-caps” phrasing Burroughs came from Tanger to live one flight below, shaping _Naked Lunch_ manuscript, Peter Orlovsky and I had window on street two flights downstairs, room with two-burner gas stove, we ate together often, rent $30 a month. I’d begun Kaddish litany, Peter his “Frist Poem.”1957, отпечаток позднееНациональная галерея искусства
William Burroughs hanging Alan Ansen, take-off on "Naked Lunch" "Blue Movie" orgasm scenario. Ansen'd typed up where Kerouac left off..., Аллен Гинзберг, ок. 1957, отпечаток позднееАллен ГинзбергWilliam Burroughs hanging Alan Ansen, take-off on "Naked Lunch" "Blue Movie" orgasm scenario. Ansen'd typed up where Kerouac left off...ок. 1957, отпечаток позднееНациональная галерея искусства
Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергGary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India1963, отпечаток позднееНациональная галерея искусства
Henry Schlactner, Kerouac’s friend Al Sublette by Peter Orlovsky. Foster’s Cafeteria S.F. 1955. Me on right., Аллен Гинзберг, 1955, отпечаток позднееАллен ГинзбергHenry Schlactner, Kerouac’s friend Al Sublette by Peter Orlovsky. Foster’s Cafeteria S.F. 1955. Me on right.1955, отпечаток позднееНациональная галерея искусства
Peter Du Peru, Neal Cassady & Natalie Jackson horsing around, maybe Sunday walk, above Broadway Tunnel, Neal playing hookey from his family in Los Gatos. Du Peru, eccentric North Beach remittance man was seen by Kerouac (_Desolation Angels_) as "Richard de Chili, the Mysterious...with his low-spoken incomprehensible remarks." Natalie bewildered by amphetamine jumped off her roof to death a year late. March 1955., Аллен Гинзберг, 1955, отпечаток 1995Аллен ГинзбергPeter Du Peru, Neal Cassady & Natalie Jackson horsing around, maybe Sunday walk, above Broadway Tunnel, Neal playing hookey from his family in Los Gatos. Du Peru, eccentric North Beach remittance man was seen by Kerouac (_Desolation Angels_) as "Richard de Chili, the Mysterious...with his low-spoken incomprehensible remarks." Natalie bewildered by amphetamine jumped off her roof to death a year late. March 1955.1955, отпечаток 1995Национальная галерея искусства
Gary Snyder Poet & Zen student out on mountainside forest hike near Sea of Japan, July 1963., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергGary Snyder Poet & Zen student out on mountainside forest hike near Sea of Japan, July 1963.1963, отпечаток позднееНациональная галерея искусства
Gregory Corso - Tangier 1961 - Peter & my room -, Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергGregory Corso - Tangier 1961 - Peter & my room -1961, отпечаток позднееНациональная галерея искусства
The first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергThe first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953.1953, отпечаток позднееНациональная галерея искусства
Summer 1965, 8 day backpack climbing in wilderness area of Northern Cascades, Glacier Park, Washington State, Gary Snyder back from a near-decade in Kyoto studying & practicing Zazen. My first mountain walk., Аллен Гинзберг, 1965, отпечаток позднееАллен ГинзбергSummer 1965, 8 day backpack climbing in wilderness area of Northern Cascades, Glacier Park, Washington State, Gary Snyder back from a near-decade in Kyoto studying & practicing Zazen. My first mountain walk.1965, отпечаток позднееНациональная галерея искусства
Bill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out, Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергBill Reck in his coldwater flat Lower East Side circa 1953, one of eminent Subterraneans (Vide Frity Nichols); he entered J.K.'s Book of Dreams as Dick Beck. outside his window off Bowery and East 2'd Street, a cemetery, he wrote "Love is a lime green tree," last line of poem looking out1953, отпечаток позднееНациональная галерея искусства
Jack Kerouac wandering along East 7th Street after visiting Burroughs at our pad, passing statue of Congressman Samuel "Sunset" Cox, "The Letter-Carrier's Friend" in Tompkins Square toward corner of Avenue A, Lower East Side; he's making a Dostoyevsky mad-face or Russian basso be-bop Om, first walking around the neighborhood, then involved with _The Subterraneans_, pencils & notebook in wool shirt-pockets, Fall 1953, Manhattan., Аллен Гинзберг, 1953, отпечаток 1990Аллен ГинзбергJack Kerouac wandering along East 7th Street after visiting Burroughs at our pad, passing statue of Congressman Samuel "Sunset" Cox, "The Letter-Carrier's Friend" in Tompkins Square toward corner of Avenue A, Lower East Side; he's making a Dostoyevsky mad-face or Russian basso be-bop Om, first walking around the neighborhood, then involved with _The Subterraneans_, pencils & notebook in wool shirt-pockets, Fall 1953, Manhattan.1953, отпечаток 1990Национальная галерея искусства
Neal Cassady & I went upstairs to attic at Millbrook estate near Poughkeepsie, big house where Tim Leary’s Castalia Foundation was then experimenting with psychedelic DMT, a half hour trip. Here Neal rests with eyes closed watched over by Susan Metzner in charge of holding the vial of clear liquid, just injected. I’d driven up from N.Y. with Kesey’s Merry Pranksters in their bus, Fall 1964., Аллен Гинзберг, 1964, отпечаток 1993Аллен ГинзбергNeal Cassady & I went upstairs to attic at Millbrook estate near Poughkeepsie, big house where Tim Leary’s Castalia Foundation was then experimenting with psychedelic DMT, a half hour trip. Here Neal rests with eyes closed watched over by Susan Metzner in charge of holding the vial of clear liquid, just injected. I’d driven up from N.Y. with Kesey’s Merry Pranksters in their bus, Fall 1964.1964, отпечаток 1993Национальная галерея искусства
Natalie Jackson, San Francisco, Аллен Гинзберг, 1955, отпечаток позднееАллен ГинзбергNatalie Jackson, San Francisco1955, отпечаток позднееНациональная галерея искусства
William S. Burroughs fixing typescript of _Yage Letters_ at kitchen table 206 East 7th Street New York Fall 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергWilliam S. Burroughs fixing typescript of _Yage Letters_ at kitchen table 206 East 7th Street New York Fall 1953.1953, отпечаток позднееНациональная галерея искусства
Williams Burroughs with a Newspaper 1953 couch 206 East 7th St. N.Y., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергWilliams Burroughs with a Newspaper 1953 couch 206 East 7th St. N.Y.1953, отпечаток позднееНациональная галерея искусства
William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Аллен Гинзберг, 1961, отпечаток 1995Аллен ГинзбергWilliam S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye1961, отпечаток 1995Национальная галерея искусства
Gary Snyder, Peter Orlovsky, Allen Ginsberg on wall overlooking Himalayan range vista, Kausani 1962. Joanne Kyger snapped the photo in my camera, the four of us making Buddhist tour of India stopped to visit Lama Anagarika Govinda., Аллен Гинзберг, 1962, отпечаток позднееАллен ГинзбергGary Snyder, Peter Orlovsky, Allen Ginsberg on wall overlooking Himalayan range vista, Kausani 1962. Joanne Kyger snapped the photo in my camera, the four of us making Buddhist tour of India stopped to visit Lama Anagarika Govinda.1962, отпечаток позднееНациональная галерея искусства
Peter Orlovsky smoking Indian Hemp, November 1962 at Konarak beside fallen segment of stone sculpture —, Аллен Гинзберг, 1962, отпечаток позднееАллен ГинзбергPeter Orlovsky smoking Indian Hemp, November 1962 at Konarak beside fallen segment of stone sculpture —1962, отпечаток позднееНациональная галерея искусства
Fond Kiki William's friend, W.S. Burroughs, Chris Wanklin at another table in T-shirt, Soco Chico Tanger Maroc circa mid-fifties, negative in my archives., Аллен Гинзберг, ок. 1955, отпечаток позднееАллен ГинзбергFond Kiki William's friend, W.S. Burroughs, Chris Wanklin at another table in T-shirt, Soco Chico Tanger Maroc circa mid-fifties, negative in my archives.ок. 1955, отпечаток позднееНациональная галерея искусства
William Burroughs on roof of apartment house East Seventh Street where I had a flat, we were lovers those months, editing his letters into books not published till decades later (as _Queer_, 1985) Lower East Side Fall 1953., Аллен Гинзберг, 1953, отпечаток 1990Аллен ГинзбергWilliam Burroughs on roof of apartment house East Seventh Street where I had a flat, we were lovers those months, editing his letters into books not published till decades later (as _Queer_, 1985) Lower East Side Fall 1953.1953, отпечаток 1990Национальная галерея искусства
Lance Hendrickson, Tangier, 1961. We met in street, he was hiking thru Europe, stayed a week, chaste, but allowed me to photograph him thus. Saw him again in San Francisco 1963 w/ a motorcycle., Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергLance Hendrickson, Tangier, 1961. We met in street, he was hiking thru Europe, stayed a week, chaste, but allowed me to photograph him thus. Saw him again in San Francisco 1963 w/ a motorcycle.1961, отпечаток позднееНациональная галерея искусства
Jack Kerouac the last time he visited my apartment 704 East 5th Street, N.Y.C., he looked by then like his late father, red-faced corpulent W. C. Fields shuddering with mortal horror, grimacing on D.M.T. I’d brought back from visiting Timothy Leary at Millbrook Psychedelic Community, Fall 1964., Аллен Гинзберг, 1964, отпечаток позднееАллен ГинзбергJack Kerouac the last time he visited my apartment 704 East 5th Street, N.Y.C., he looked by then like his late father, red-faced corpulent W. C. Fields shuddering with mortal horror, grimacing on D.M.T. I’d brought back from visiting Timothy Leary at Millbrook Psychedelic Community, Fall 1964.1964, отпечаток позднееНациональная галерея искусства
Helen Parker's boys Bruce & Tommy, circa 1953, Greenwich Village, she was my friend when I was in N.Y. Psychiatric Institute a few years earlier, now we'd go to Italian restaurants downstairs on MacDougal Street with Ramblin Jack Eliot., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергHelen Parker's boys Bruce & Tommy, circa 1953, Greenwich Village, she was my friend when I was in N.Y. Psychiatric Institute a few years earlier, now we'd go to Italian restaurants downstairs on MacDougal Street with Ramblin Jack Eliot.1953, отпечаток позднееНациональная галерея искусства
William Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published _Junkie_ and we were assembling _Yage Letters_ and _Queer_, Burroughs improvising earliest routines for _Naked Lunch_. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "_Age of Anxiety_." One mid-afternoon, Fall 1953, fixed with trembling hand., Аллен Гинзберг, 1953, отпечаток 1993Аллен ГинзбергWilliam Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published _Junkie_ and we were assembling _Yage Letters_ and _Queer_, Burroughs improvising earliest routines for _Naked Lunch_. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "_Age of Anxiety_." One mid-afternoon, Fall 1953, fixed with trembling hand.1953, отпечаток 1993Национальная галерея искусства
Joanne Kyger, hills leading to Himalayan flats, studying guidebook on wall in Aurora, we were on Pilgrimage to Buddhist sites, here visiting Lama Govinda, March 1962., Аллен Гинзберг, 1962, отпечаток 1994Аллен ГинзбергJoanne Kyger, hills leading to Himalayan flats, studying guidebook on wall in Aurora, we were on Pilgrimage to Buddhist sites, here visiting Lama Govinda, March 1962.1962, отпечаток 1994Национальная галерея искусства
Gary Snyder contemplating the panorama, Glacier Park wilderness area July 1965—we went on 8 day backpack trip, my first mountain climb., Аллен Гинзберг, 1965, отпечаток позднееАллен ГинзбергGary Snyder contemplating the panorama, Glacier Park wilderness area July 1965—we went on 8 day backpack trip, my first mountain climb.1965, отпечаток позднееНациональная галерея искусства
Joanne Kyger, then Gary Snyder's wife, on train - visit to Japan Sea, 1963 Summer., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергJoanne Kyger, then Gary Snyder's wife, on train - visit to Japan Sea, 1963 Summer.1963, отпечаток позднееНациональная галерея искусства
Peter Orlovsky & Jack Kerouac squinting in late-afternoon sun, Wm. S. Burroughs with eyeglasses watching prone in olive-green army-surplus jacket, Moroccan boys interested, Port & Custom-house in background, where Peter & I docked on Yugoslave freighter from N.Y. carrying mss. _Naked Lunch_ letters, four years accumulated.  Jack speed-typed Burroughs' _Interzone_ word-hoard, his own _On the Road_ just published, Peter readying to write his "Frist Poem."  Jack left Tangier for Paris about a week later, April 5, 1957., Аллен Гинзберг, 1957, отпечаток 1996Аллен ГинзбергPeter Orlovsky & Jack Kerouac squinting in late-afternoon sun, Wm. S. Burroughs with eyeglasses watching prone in olive-green army-surplus jacket, Moroccan boys interested, Port & Custom-house in background, where Peter & I docked on Yugoslave freighter from N.Y. carrying mss. _Naked Lunch_ letters, four years accumulated. Jack speed-typed Burroughs' _Interzone_ word-hoard, his own _On the Road_ just published, Peter readying to write his "Frist Poem." Jack left Tangier for Paris about a week later, April 5, 1957.1957, отпечаток 1996Национальная галерея искусства
Peter’s friend Henry Schlacter from S.F. Community College, Kerouac’s buddy Al Sublette & Peter Orlovsky in Foster’s Cafeteria under Hotel Weatley on Polk & Sutter, “Polk Gulch”, we all rendez-vous’d hours & hours, living in neighborhood. Robert LaVigne made many sketches & group portrait oil tableaux small and large with mirror-reflected tables & visages of ourselves, Cassady, Natalie, etc. that season, San Francisco early 1955., Аллен Гинзберг, 1955, отпечаток 1994Аллен ГинзбергPeter’s friend Henry Schlacter from S.F. Community College, Kerouac’s buddy Al Sublette & Peter Orlovsky in Foster’s Cafeteria under Hotel Weatley on Polk & Sutter, “Polk Gulch”, we all rendez-vous’d hours & hours, living in neighborhood. Robert LaVigne made many sketches & group portrait oil tableaux small and large with mirror-reflected tables & visages of ourselves, Cassady, Natalie, etc. that season, San Francisco early 1955.1955, отпечаток 1994Национальная галерея искусства
Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Аллен Гинзберг, 1972, отпечаток позднееАллен ГинзбергLorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 721972, отпечаток позднееНациональная галерея искусства
Peter Orlovsky seated handsome mysterious-haired, William Burroughs thoughtful with hat to shade Mediterranean sun, camera in hand, Alan Ansen relaxed visiting from Venice to help type _The Soft Machine_ cut-up writings, Gregory Corso sunglassed and Minox’d, Paul Bowles with elegant striped tie squinting in bright mid-morning light—all assembled, myself on right with cigarette & white trousers, at garden wall outside Bill’s single room Villa Muniria, my Kodak  Retina probably in Michael Portman’s hands July 1961 Tangier Moroc., Аллен Гинзберг, 1961, отпечаток 1989Аллен ГинзбергPeter Orlovsky seated handsome mysterious-haired, William Burroughs thoughtful with hat to shade Mediterranean sun, camera in hand, Alan Ansen relaxed visiting from Venice to help type _The Soft Machine_ cut-up writings, Gregory Corso sunglassed and Minox’d, Paul Bowles with elegant striped tie squinting in bright mid-morning light—all assembled, myself on right with cigarette & white trousers, at garden wall outside Bill’s single room Villa Muniria, my Kodak Retina probably in Michael Portman’s hands July 1961 Tangier Moroc.1961, отпечаток 1989Национальная галерея искусства
Alexei Ginzberg and Sergei Yesenin-vulpine, Moscow 1965., Аллен Гинзберг, 1965, отпечаток позднееАллен ГинзбергAlexei Ginzberg and Sergei Yesenin-vulpine, Moscow 1965.1965, отпечаток позднееНациональная галерея искусства
Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Аллен Гинзберг, 1956, отпечаток позднееАллен ГинзбергPeter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley1956, отпечаток позднееНациональная галерея искусства
Peter Orlovsky handsome before he left for Greece. Tangier 1961 The cement porch of our room over the bay., Аллен Гинзберг, 1961, отпечаток позднееАллен ГинзбергPeter Orlovsky handsome before he left for Greece. Tangier 1961 The cement porch of our room over the bay.1961, отпечаток позднееНациональная галерея искусства
Downtown Jacksonville's main street December 1953, Allen Ginsberg hitch-hiking to visit W.S. Burroughs' parents in Palm Beach, stopover to visit Bill's friend Marker, thence to Cuba, Yucatan & bus & train up to U.S. West Coast, meet Neal Cassady in San Francisco., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергDowntown Jacksonville's main street December 1953, Allen Ginsberg hitch-hiking to visit W.S. Burroughs' parents in Palm Beach, stopover to visit Bill's friend Marker, thence to Cuba, Yucatan & bus & train up to U.S. West Coast, meet Neal Cassady in San Francisco.1953, отпечаток позднееНациональная галерея искусства
Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Аллен Гинзберг, 1947, отпечаток 1990Аллен ГинзбергAllen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947.1947, отпечаток 1990Национальная галерея искусства
My brother Eugene Brooks, Lawyer, at his desk at Manning's Tire & Battery Service Used Car Sales, 125 Street & Amsterdam Avenue Manhattan. Jerome Brodsky Insurance Broker jack-in-box from adjoining cubicle. Fall 1953., Аллен Гинзберг, 1953, отпечаток 1990Аллен ГинзбергMy brother Eugene Brooks, Lawyer, at his desk at Manning's Tire & Battery Service Used Car Sales, 125 Street & Amsterdam Avenue Manhattan. Jerome Brodsky Insurance Broker jack-in-box from adjoining cubicle. Fall 1953.1953, отпечаток 1990Национальная галерея искусства
Charles Olson, the President, Vancouver Poetry Conference 1963, we stayed in Warren Tallman's house -- here the kitchen., Аллен Гинзберг, 1963, отпечаток позднееАллен ГинзбергCharles Olson, the President, Vancouver Poetry Conference 1963, we stayed in Warren Tallman's house -- here the kitchen.1963, отпечаток позднееНациональная галерея искусства
Jack Kerouac, railroad brakeman’s rule-book in pocket, couch-pillows airing on fire-escape three flights up overlooking backyard clotheslines south. He’d already published _The Town & the City_ and completed a treasury of half-dozen unprinted classic volumes including _On the Road_, _Visions of Cody_,_ Doctor Sax_, early books of Blues and Dreams, & had begun _The Subterraneans’_ adventurous love affair with Alene Lee, “Mardou Fox.” Alene typed for W. S. Burroughs then in residence editing Yage Letters and Queer mss., unpublishable that decade, censorship ruled. I scribed “The Green Automobile,” Gregory Corso visited that season, 206 East 7th Street near Tompkins Park, Manhattan, probably September 1953., Аллен Гинзберг, 1953, отпечаток позднееАллен ГинзбергJack Kerouac, railroad brakeman’s rule-book in pocket, couch-pillows airing on fire-escape three flights up overlooking backyard clotheslines south. He’d already published _The Town & the City_ and completed a treasury of half-dozen unprinted classic volumes including _On the Road_, _Visions of Cody_,_ Doctor Sax_, early books of Blues and Dreams, & had begun _The Subterraneans’_ adventurous love affair with Alene Lee, “Mardou Fox.” Alene typed for W. S. Burroughs then in residence editing Yage Letters and Queer mss., unpublishable that decade, censorship ruled. I scribed “The Green Automobile,” Gregory Corso visited that season, 206 East 7th Street near Tompkins Park, Manhattan, probably September 1953.1953, отпечаток позднееНациональная галерея искусства
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