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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Третьяковская галерея, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (6 музеев), Парижские музеи (12 музеев) и Жоконда, база музеев Министерства культуры Франции (495 музеев). Изображения принадлежат правообладателям.

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Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсAnother of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation1940-41Музей современного искусства
One of the main forms of social and recreational activities in which the migrants indulged occurred in the church, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсOne of the main forms of social and recreational activities in which the migrants indulged occurred in the church1940-41Музей современного искусства
Saint Jerome in the Wilderness, Неизвестный художник, ок. 1490/1500Неизвестный художникSaint Jerome in the Wildernessок. 1490/1500Зал 20 · Западное здание, главный этажНациональная галерея искусства
They were very poor, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThey were very poor1940-41Музей современного искусства
Virgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saint, Неизвестный художник, ок. 1350 — ок. 1399Неизвестный художникVirgin and Child Enthroned with Four Saints, Saints John the Baptist, Antony Abbot, Elizabeth of Hungary, a female saintок. 1350 — ок. 1399Рейксмюсеум
The railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order1940-41Музей современного искусства
In every home people who had not gone North met and tried to decide if they should go North or not, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсIn every home people who had not gone North met and tried to decide if they should go North or not1940-41Музей современного искусства
Joueur de mandoline, Неизвестный художник, XVIII век (1700–1800)Неизвестный художникJoueur de mandolineXVIII век (1700–1800)Лувр
Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries1940-41Музей современного искусства
And people all over the South began to discuss this great movement, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсAnd people all over the South began to discuss this great movement1940-41Музей современного искусства
They also worked in large numbers on the railroad, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThey also worked in large numbers on the railroad1940-41Музей современного искусства
The Negro was the largest source of labor to be found after all others had been exhausted, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe Negro was the largest source of labor to be found after all others had been exhausted1940-41Музей современного искусства
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсAlthough the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred1940-41Музей современного искусства
Saint Luke, Симоне Мартини, начало 1330-хСимоне МартиниSaint Lukeначало 1330-хМузей Гетти
Pietà, Карло Кривелли, 1476Карло КривеллиPietà1476Зал 606Метрополитен-музей
Madonna and Child, Карло Кривелли, ок. 1480Карло КривеллиMadonna and Childок. 1480Зал 606Метрополитен-музей
An Apostle, Карло Кривелли, ок. 1471–1473Карло КривеллиAn Apostleок. 1471–1473Зал 954Метрополитен-музей
Office of the Tax Administration (Biccherna) of Siena, Неизвестный художник, 1451 - 1452Неизвестный художникOffice of the Tax Administration (Biccherna) of Siena1451 - 1452Рейксмюсеум
Maria met kind, Неизвестный художник, ок. 1375 — ок. 1400Неизвестный художникMaria met kindок. 1375 — ок. 1400Зал 0.2Рейксмюсеум
In the North the Negro had better educational facilities, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсIn the North the Negro had better educational facilities1940-41Музей современного искусства
Saint Siméon Stylite, Неизвестный художник, первая половина XVII века (ок. 1600–1650)Неизвестный художникSaint Siméon Styliteпервая половина XVII века (ок. 1600–1650)Лувр
The migrants arrived in great numbers, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe migrants arrived in great numbers1940-41Музей современного искусства
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home1940-41Музей современного искусства
And the migrants kept coming, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсAnd the migrants kept coming1940-41Музей современного искусства
The migration gained in momentum, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe migration gained in momentum1940-41Музей современного искусства
Madonna and Child Enthroned, Карло Кривелли, 1472Карло КривеллиMadonna and Child Enthroned1472Зал 537Метрополитен-музей
The Negro press was also influential in urging the people to leave the South, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe Negro press was also influential in urging the people to leave the South1940-41Музей современного искусства
The Conversion of Saint Paul, Беноццо ГоццолиБеноццо ГоццолиThe Conversion of Saint PaulЗал 601Метрополитен-музей
Living conditions were better in the North, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсLiving conditions were better in the North1940-41Музей современного искусства
Madonna and Child, Неизвестный художник, ок. 1470Неизвестный художникMadonna and Childок. 1470Зал 4 · Западное здание, главный этажНациональная галерея искусства
Legend of a Knight (end panel of a cassone), Неизвестный художник, 1450 - 1474Неизвестный художникLegend of a Knight (end panel of a cassone)1450 - 1474Рейксмюсеум
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсIndustries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous1940-41Музей современного искусства
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсIn many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement1940-41Музей современного искусства
Saint Jean Baptiste, Неизвестный художник, начало XVI века (после 1500–1540)Неизвестный художникSaint Jean Baptisteначало XVI века (после 1500–1540)Лувр
Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсAmong one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living1940-41Музей современного искусства
They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThey did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were1940-41Музей современного искусства
Saint Peter and Simon Magus, Беноццо ГоццолиБеноццо ГоццолиSaint Peter and Simon MagusЗал 601Метрополитен-музей
Tête de vieillard (Nicodème ?), Ханс БальдунгХанс БальдунгTête de vieillard (Nicodème ?)Musée des Beaux-Arts et d'Archéologie de Besançon
Le Triomphe de saint Thomas d'Aquin, Беноццо Гоццоли, третья четверть XV века (1450–1475)Беноццо ГоццолиLe Triomphe de saint Thomas d'Aquinтретья четверть XV века (1450–1475)Зал 708 · крыло Денон, уровень 1Лувр
Saint Jerome in the Wilderness, Неизвестный художник, ок. 1475Неизвестный художникSaint Jerome in the Wildernessок. 1475Национальная галерея искусства
Horatius Cocles Defending the Sublician Bridge, Неизвестный художник, ок. 1450Неизвестный художникHoratius Cocles Defending the Sublician Bridgeок. 1450Зал 0.5Рейксмюсеум
Madonna and Child, Неизвестный художник, ок. 1467/1468Неизвестный художникMadonna and Childок. 1467/1468Зал 13 · Западное здание, главный этажНациональная галерея искусства
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсChild labor and a lack of education was one of the other reasons for people wishing to leave their homes1940-41Музей современного искусства
One of the largest race riots occurred in East St. Louis, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсOne of the largest race riots occurred in East St. Louis1940-41Музей современного искусства
Vierge de Tendresse (Oumilénié), Неизвестный художник, XIX век (ок. 1800–1900)Неизвестный художникVierge de Tendresse (Oumilénié)XIX век (ок. 1800–1900)Лувр
They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThey also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train1940-41Музей современного искусства
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThe labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties1940-41Музей современного искусства
They arrived in great numbers into Chicago, the gateway of the West, Джейкоб Лоуренс, 1940-41Джейкоб ЛоуренсThey arrived in great numbers into Chicago, the gateway of the West1940-41Музей современного искусства
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