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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Третьяковская галерея, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (6 музеев), Парижские музеи (12 музеев) и Жоконда, база музеев Министерства культуры Франции (495 музеев). Изображения принадлежат правообладателям.

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Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 9 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey), ок. 1775–1780Rama’s brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, from Chapter 77 of the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama’s Journey)ок. 1775–1780Художественный музей Кливленда
The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Night, ок. 1560The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Nightок. 1560Художественный музей Кливленда
Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutra, ок. 1400Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutraок. 1400Художественный музей Кливленда
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Suraju, ок. 1560SurajuThe prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, Folio 13 (verso), from a Kalpa-sutra, ок. 1475–1500Text, Folio 13 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 110 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 163 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Christ and the Woman of Samaria, Пьетро Перуджино, 1500/05Пьетро ПеруджиноChrist and the Woman of Samaria1500/05Зал 205Чикагский институт искусств
St. Francis Kneeling before Christ on the Cross, Сассетта, 1437–1444СассеттаSt. Francis Kneeling before Christ on the Cross1437–1444В залеХудожественный музей Кливленда
Matsya, Fish Avatara of Vishnu, ок. 1890Matsya, Fish Avatara of Vishnuок. 1890Художественный музей Кливленда
Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 68 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Rooster, ок. 1620Roosterок. 1620Художественный музей Кливленда
Blessed Lord Buddha, ок. 1825–1850Blessed Lord Buddhaок. 1825–1850Художественный музей Кливленда
The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, ок. 1560The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Nightок. 1560Художественный музей Кливленда
Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya, ок. 1680Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriyaок. 1680Художественный музей Кливленда
Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), ок. 1610Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)ок. 1610Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Retable of Saints Athanasius, Blaise, and Agatha, Master of Riglos, 1440/45Master of RiglosRetable of Saints Athanasius, Blaise, and Agatha1440/45Чикагский институт искусств
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, ок. 1560The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Nightок. 1560Художественный музей Кливленда
The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, ок. 1560The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Birth of Nemi, Folio 48 (verso), from a Kalpa-sutra, ок. 1475–1500Birth of Nemi, Folio 48 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
The heroine who waits anxiously for her absent lover (Utka Nayika), ок. 1800The heroine who waits anxiously for her absent lover (Utka Nayika)ок. 1800Зал 242BХудожественный музей Кливленда
The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night, ок. 1560The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Nightок. 1560Художественный музей Кливленда
A Mandi royal family member receives a noble, ок. 1700–1720A Mandi royal family member receives a nobleок. 1700–1720Художественный музей Кливленда
Flowering Marigold (verso), Hunhar II, ок. 1765Hunhar IIFlowering Marigold (verso)ок. 1765Художественный музей Кливленда
Two Elephants Fighting in a Courtyard Before Muhammad Shah, Nainsukh, ок. 1730–1740NainsukhTwo Elephants Fighting in a Courtyard Before Muhammad Shahок. 1730–1740Художественный музей Кливленда
Text, Folio 33 (verso), from a Kalpa-sutra, ок. 1475–1500Text, Folio 33 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Text, Folio 58 (verso), from a Kalpa-sutra, ок. 1475–1500Text, Folio 58 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 182 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 177 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Portræthoved af en ældre mand, Неизвестный художник, 1401-1500Неизвестный художникPortræthoved af en ældre mand1401-1500Государственный музей искусств
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night, ок. 1560The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Nightок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Bejeweled Buddha Preaching, 1648Bejeweled Buddha Preaching1648Художественный музей Кливленда
A princess on a terrace with attendants at night (recto); Calligraphy (verso), ок. 1760A princess on a terrace with attendants at night (recto); Calligraphy (verso)ок. 1760Художественный музей Кливленда
The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night, Banavari 1, ок. 1560Banavari 1The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Nightок. 1560Художественный музей Кливленда
Opium Smokers Served Fruit and Bread, ок. 1750Opium Smokers Served Fruit and Breadок. 1750Художественный музей Кливленда
Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat album, ок. 1890Krishna Steals the Clothes of the Cowgirls (Gopis) (recto), from a Kalighat albumок. 1890Художественный музей Кливленда
Tuti-Nama (Tales of a Parrot), ок. 1560Tuti-Nama (Tales of a Parrot)ок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
A Young, Angry Heroine, Folio 28 from a Rasamanjari, ок. 1615–1620A Young, Angry Heroine, Folio 28 from a Rasamanjariок. 1615–1620Художественный музей Кливленда
Shiva and Devi on Gajasura's hide, ок. 1675–1680Shiva and Devi on Gajasura's hideок. 1675–1680Художественный музей Кливленда
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