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Собрания: Гарвардские художественные музеи, Государственный музей изобразительных искусств имени А. С. Пушкина, Государственный музей искусств, Лувр, Метрополитен-музей, Миннеаполисский институт искусства, Музей американского искусства Уитни, Музей Виктории и Альберта, Музей Гетти, Музей современного искусства, Музей Хиршхорн и сад скульптур, Национальная галерея искусства, Национальная портретная галерея, Рейксмюсеум, Русский музей, Смитсоновский музей американского искусства, Третьяковская галерея, Художественный музей Кливленда, Чикагский институт искусств, Эрмитаж, Getty Villa, National Museum of Asian Art, Госкаталог Музейного фонда России (274 музея), Европеана (19 музеев), Викиданные (6 музеев), Парижские музеи (12 музеев) и Жоконда, база музеев Министерства культуры Франции (495 музеев). Изображения принадлежат правообладателям.

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Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamala, ок. 1680–1690Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamalaок. 1680–1690Художественный музей Кливленда
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot), ок. 1560The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)ок. 1560Художественный музей Кливленда
God Shiva in His Ferocious Aspect as Mahakala Dancing, ок. 1700–1710God Shiva in His Ferocious Aspect as Mahakala Dancingок. 1700–1710Художественный музей Кливленда
Text, Folio 152 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 152 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, Folio 57 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, Folio 57 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, folio 183 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 183 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Shishupala arguing with Rukmini’s father, Bhishmaka, from a Rukmini Haran, Mola Ram, ок. 1800Mola RamShishupala arguing with Rukmini’s father, Bhishmaka, from a Rukmini Haranок. 1800Зал 242BХудожественный музей Кливленда
Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, ок. 1560Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Nightок. 1560Художественный музей Кливленда
Todi Ragini, from a Ragamala Series, ок. 1755Todi Ragini, from a Ragamala Seriesок. 1755Художественный музей Кливленда
Leaf from a Kalighat album: Woman Playing Music (recto); Krishna Stroking Radha's Feet (verso), ок. 1890Leaf from a Kalighat album: Woman Playing Music (recto); Krishna Stroking Radha's Feet (verso)ок. 1890Художественный музей Кливленда
Text, folio 11 (recto), from a Kalpa-sutra, ок. 1475–1500Text, folio 11 (recto), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Tiered Court Scene, Chitarman II, ок. 1735Chitarman IITiered Court Sceneок. 1735Художественный музей Кливленда
Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, ок. 1560Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Nightок. 1560Художественный музей Кливленда
Leaf from a Kalighat album: Two Aspects of Kali, ок. 1890Leaf from a Kalighat album: Two Aspects of Kaliок. 1890Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, Folio 5 (verso), from a Kalpa-sutra, ок. 1475–1500Text, Folio 5 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Text, folio 165 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), 14 сентября 1119Text, folio 165 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)14 сентября 1119Художественный музей Кливленда
Text, Folio 15 (recto), from a Kalpa-sutra, ок. 1475–1500Text, Folio 15 (recto), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Sacrificial Fire, from the "Tula Ram" Bhagavata Purana, ок. 1720Sacrificial Fire, from the "Tula Ram" Bhagavata Puranaок. 1720Художественный музей Кливленда
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri, 1725–50Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri1725–50Художественный музей Кливленда
Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, ок. 1560Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Nightок. 1560Художественный музей Кливленда
Maharaja of Kotah Listening to Music and Watching Dancers, ок. 1820Maharaja of Kotah Listening to Music and Watching Dancersок. 1820Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, ок. 1560Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Nightок. 1560Художественный музей Кливленда
The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, ок. 1560The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Nightок. 1560Художественный музей Кливленда
Text, folio 61 (recto), from a Kalpa-sutra, ок. 1475–1500Text, folio 61 (recto), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46), Bichitr, вероятно, 1619BichitrPortrait of Raja Jagat Singh of Nurpur (reigned 1618–46)вероятно, 1619Художественный музей Кливленда
The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night, ок. 1560The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Nightок. 1560Художественный музей Кливленда
Radha and Krishna's reconciliation, ок. 1790–1800Radha and Krishna's reconciliationок. 1790–1800Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Kali on Shiva, from a Tantric Devi Series, ок. 1810Kali on Shiva, from a Tantric Devi Seriesок. 1810Художественный музей Кливленда
The merchant of Tirmiz takes the wise parrot and myna to ‘Ubaid, from a Tuti-nama (Tales of a Parrot): Forty-second Night, ок. 1560The merchant of Tirmiz takes the wise parrot and myna to ‘Ubaid, from a Tuti-nama (Tales of a Parrot): Forty-second Nightок. 1560Художественный музей Кливленда
Krishna reaching for the moon, ок. 1820Krishna reaching for the moonок. 1820Художественный музей Кливленда
Portrait of Maharaja Savant Singh with Consort, Bani Thani, Nihal Chand, середина XVIII векаNihal ChandPortrait of Maharaja Savant Singh with Consort, Bani Thaniсередина XVIII векаХудожественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
Page from Tales of a Parrot (Tuti-nama): text page, ок. 1560Page from Tales of a Parrot (Tuti-nama): text pageок. 1560Художественный музей Кливленда
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, Bihzad, ок. 1560BihzadThe tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Nightок. 1560Художественный музей Кливленда
Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Purana, ок. 1640Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Puranaок. 1640Художественный музей Кливленда
A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto), ок. 1710A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)ок. 1710Художественный музей Кливленда
King Siddhartha's Morning Bath, Folio 22 (verso), from a Kalpa-sutra, ок. 1475–1500King Siddhartha's Morning Bath, Folio 22 (verso), from a Kalpa-sutraок. 1475–1500Художественный музей Кливленда
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